2:35

A Bird’s Anger
v4.5-all
Opens with a deep sub-bass riser, hinting at unease, The verse unleashes downtuned 8-string palm-muted deathcore breakdowns, crushingly slow at 67 BPM, pig squeals with extreme stereo widening, Builds intensify with metallic risers and layered tension, Drop explodes with groove-heavy breakdown riffs and crushing rhythm, panned guitars for massive width, Bridge strips down to eerie synths, haunting noise textures, Finale ascends with blistering deathcore, orchestral brass and strings sweeping under relentless breakdowns, creating a monstrous, mysterious climax, Extreme dynamic contrast throughout, intensity peaking in every section
3:51

Hunger, I
v4.5-all
progressive blackened deathcore, Mid-tempo around 90–105 BPM, Minor pentatonic scale, dual 9 string guitars, double drop d, double bass drums, triplet kick fills, atmospheric synth pads, cinematic pads, ethereal pads, vocal male, 🌊emotional🌊, subtle percussion, drums, british, booming, extreme
4:48

Oblivion
v4.5-all
progressive blackened deathcore, Mid-tempo around 90–105 BPM, Minor or modal tonality with a hazy, unresolved feel, Clean electric guitars with chorus and reverb in verses, building to warm overdrive and layered distortion in choruses, Fuzzy but controlled guitar textures, Prominent melodic bass with a round, slightly gritty tone, Live drum kit with steady groove, tasteful fills, and dynamic lift in chorus, Subtle ambient pads or guitar swells for atmosphere, Dreamy, nostalgic, yearning mood with a soft-loud dynamic arc, atmospheric synth pads, cinematic pads, ethereal pads, vocal male, 🌊emotional🌊, subtle percussion, drums, british
5:22

Obsidian Sea
v4.5-all
This progressive post-metal piece opens with spacious clean guitars drenched in atmospheric reverb, sculpting a vast, moonlit soundscape, Delicate, breathy vocals drift over minimal bass and restrained drums, building tension through space and subtle dynamic swells, Repetitive phrases and gentle crescendos deliver a haunted stillness, as layers and texture evolve patiently for emotional weight without aggression, maintaining that pervasive, nocturnal melancholy
3:43

Hush.
v4.5-all
Dense, abrasive sludge–doom track battles relentless distortion with primitive, repetitive drums and punishing bass locking in a suffocating groove, Scorched, droning guitars dominate, while two contrasting voices duel—one deep, emotive and feral, the other a clear, breathy female weaving cerebral melodies, their coexistence intensifying the oppressive, drifting soundscape, No breaks or traditional sections: the song sits in a hostile, immersive wall of sound
2:30

LUNGS
v4.5-all
This industrial deathcore track kicks off with pulsing 741hz drones, mechanized groove guitar, and robotic percussion, Verses remain sparse with metallic bass and glitchy synths, The chorus surges with cinematic pads and soaring minor melodies, while the bridge adds processed samples and discordant textures, The outro fuses all layers into an oppressive, relentless soundscape, with extreme low demonic male vocal fry over the fierce mix
4:19

Purpose II
v4.5-all
This progressive metal track features clean, intertwining guitar arpeggios and airy, reverb-laden arrangements, Progressive drums use intricate, spacious patterns with subtle accents, Warm, expressive vocals float above, building melodic intensity alongside gradual layering of synth textures and restrained bass, Dynamics evolve patiently, channeling emotional weight through atmosphere and nuanced melodic development, culminating in a quietly powerful climax
3:51

Screaming
v4.5-all
This volatile modern metalcore track fuses nu-metal aggression with abrupt shifts: verses lurch on down-tuned, chugging riffs, pummeling drums, and gritty bass, interrupted by eerie, atmospheric breaks with sparse guitars, Explosive, growled vocals ride catchy syncopated rhythms, High-fidelity production amplifies each jarring dynamic switch, maximizing tension between brutal outbursts and haunting restraint, pushing catharsis and unease in equal measure, metal, metalcore, dance-able groove
5:22

Purpose
v4.5-all
This progressive metal track features clean, intertwining guitar arpeggios and airy, reverb-laden arrangements, Progressive drums use intricate, spacious patterns with subtle accents, Warm, expressive vocals float above, building melodic intensity alongside gradual layering of synth textures and restrained bass, Dynamics evolve patiently, channeling emotional weight through atmosphere and nuanced melodic development, culminating in a quietly powerful climax
7:59

Death Blooms
v4.5-all
This landmark nu-metal track launches with elastic, percussive bass locking into jagged, syncopated drum patterns, Gritty, angular guitars crash in and out as sections lurch between brooding, minimal grooves and sudden, explosive riffs, Manic, emotionally raw vocals veer from whisper to full-throated intensity, guiding a narrative through volatile dynamics, A cerebral arrangement emphasizes tension and release, deftly balancing groove and chaos while intricate textures and rhythmic misdirection sustain psychological unease
6:37

Death Blooms II
v4.5-all
This landmark nu-metal track launches with elastic, percussive bass locking into jagged, syncopated drum patterns, Gritty, angular guitars crash in and out as sections lurch between brooding, minimal grooves and sudden, explosive riffs, Manic, emotionally raw vocals veer from whisper to full-throated intensity, guiding a narrative through volatile dynamics, A cerebral arrangement emphasizes tension and release, deftly balancing groove and chaos while intricate textures and rhythmic misdirection sustain psychological unease
2:40

LUNGS II
v4.5-all
This industrial deathcore track kicks off with pulsing 741hz drones, mechanized groove guitar, and robotic percussion, Verses remain sparse with metallic bass and glitchy synths, The chorus surges with cinematic pads and soaring minor melodies, while the bridge adds processed samples and discordant textures, The outro fuses all layers into an oppressive, relentless soundscape, with extreme low demonic male vocal fry over the fierce mix
4:11

Covenant of Ash
v4.5-all
an apocalyptic, doom-soaked deathcore epic that moves at a suffocatingly slow pace, emphasizing mass and inevitability over motion, Monolithic, ultra–low-tuned riffs grind beneath cavernous percussion and abyssal vocals, creating a sense of cosmic collapse and theological despair, The track functions less as a conventional song and more as a ritualistic dirge, conveying divinity reduced to flesh through overwhelming sonic weight and terminal finality
3:59

Covenant of Ash II
v4.5-all
an apocalyptic, doom-soaked deathcore epic that moves at a suffocatingly slow pace, emphasizing mass and inevitability over motion, Monolithic, ultra–low-tuned riffs grind beneath cavernous percussion and abyssal vocals, creating a sense of cosmic collapse and theological despair, The track functions less as a conventional song and more as a ritualistic dirge, conveying divinity reduced to flesh through overwhelming sonic weight and terminal finality
5:35

The Fly & The Bee
v4.5-all
The deathcore track detonates with punishing guitars, hyperactive drumming, and a male growl soaring over glitch-inflected electronics, Abrupt, jarring tempo shifts shatter patterns, as mechanical grooves veer into blast beats and warped synth textures, Every section is surgically tight, choking with relentless, claustrophobic aggression, zombie pig squeal vocal fry, hi-res audio
4:09

Face Ripped Off
v4.5-all
a raw, caveman-style death metal track driven by filthy mid-tempo grooves, slam-inflected riffing, and unapologetically blunt aggression, The production emphasizes grime and weight over precision, with guttural vocals and simple, punishing rhythms that hit like repeated blunt-force trauma, Its appeal lies in its immediacy—primitive, grotesque, and deliberately devoid of refinement
3:27

Black Market Vasectomy
v4.5-all
This death metal track erupts with pounding, primitive drum lines, massive downtuned guitars grinding out slam-inspired mid-tempo riffs, and a filthy, distorted bass that underpins the brutality, Raspy guttural vocals lay atop, cutting through the grime, Production is caustic and heavy, sacrificing clarity for raw oppressive weight, creating an immediate, relentless, and feral sonic assault
2:55

Black Market Vasectomy II
v4.5-all
This death metal track erupts with pounding, primitive drum lines, massive downtuned guitars grinding out slam-inspired mid-tempo riffs, and a filthy, distorted bass that underpins the brutality, Raspy guttural vocals lay atop, cutting through the grime, Production is caustic and heavy, sacrificing clarity for raw oppressive weight, creating an immediate, relentless, and feral sonic assault
2:59

Everybody Quiet
v4.5-all
A brutal death metal track with relentless double bass drumming, jagged tremolo-picked guitars, and discordant riffing, Verses use guttural growls over blast beats; choruses drop to sludgy half-time, accentuating tension with scraping feedback, Bridge features chaotic solos, abrupt stops, and frantic bass, before returning to the pummeling main riff, The outro devolves into dissonant noise, choked harmonics, and distant, pitched screams, fading into uneasy silence
2:39

The Love Machine
v4.5-all
This metalcore track launches with crushing, down-tuned guitars and thunderous drums, their relentless syncopation forging a razor-tight groove, Vocals are fiercely screamed in a cavernous low register, Sudden bursts of melody or sparse instrumental breaks provide fleeting relief before chaos returns, creating a volatile ebb and flow, The mix is stark and direct, each element hitting with cathartic intensity and a raw, existential edge
3:15

Overthinking
v4.5-all
This post-hardcore / alternative R&B track opens with warmly processed, gently picked clean guitars and supple bass, riding atop tight, intricate percussion with spacious pocket, Vocals are fluid, using close-miked harmonies and light falsetto for intimacy, Subtle synth pads and circular melodic figures loop, layering unresolved and shifting chords beneath, keeping the atmosphere buoyant but slightly uneasy, Dynamics stay restrained, nurturing tension through repetition and detail, building catharsis with quiet, soulful intensity
3:27

Overthinking II
v4.5-all
This post-hardcore / alternative R&B track opens with warmly processed, gently picked clean guitars and supple bass, riding atop tight, intricate percussion with spacious pocket, Vocals are fluid, using close-miked harmonies and light falsetto for intimacy, Subtle synth pads and circular melodic figures loop, layering unresolved and shifting chords beneath, keeping the atmosphere buoyant but slightly uneasy, Dynamics stay restrained, nurturing tension through repetition and detail, building catharsis with quiet, soulful intensity
4:19

Epoch to Lament
v4.5-all
Studio-quality, the track opens with atmospheric synths and spacious reverb, gradually introducing intricate, down-tuned polyrhythmic guitars interwoven with lush pads, Ethereal clean vocals glide above, as drums shift time signatures, dynamics swell, and heaviness punctuates for drama—meditative, luminous progressive metal
6:07

Parted
v4.5-all
A prog metal epic at 70 BPM, fusing djent, metalcore, and THALL, Begins with lush atmospheric pads, clean 12-string arpeggios, and cathedral ambience, Verses feature syncopated djent grooves, ambient keys, and tap harmonics, Build brings frenetic 7-string tapping, polyrhythms, and swelling harmonies, The chorus erupts with melodic lead lines and immense layered guitars, Drum-heavy, with dynamic shifts: fast drums, brush accents, and boomy power bass, A crushing 7/8 breakdown combines thick bass slaps and liquid bends, Guitar solo section dazzles with tapping and tremolo techniques, underpinned by cinematic strings and expansive synths, Washboard and violin textures add unique warmth, Soulful male vocals soar above, mixing sorrowful focus with soothing delivery, Final outro melts into cascading ambient layers, resolving lead, and enveloping analog warmth
6:19

Echoes Of The Afterlight (Remix)
v4.5-all
A cinematic progressive Metalcore epic fuses dense, down-tuned polyrhythmic guitars with soaring ambient layers—ethereal pads, spectral choir, and cathedral-reverb Rhodes, Lush violin and standup bass thread melancholy motifs through textured swells, joined by nature sounds and immersive stereo imaging, Verses feature near-tearful male vocals with a European accent gliding over shifting meters, soft male harmonies, and mellow, melancholic synths, Emotional melodic flow blends with atmospheric trip hop sections; sporadic screamed vocals and raspy male phrasing heighten intensity, Each section masterfully balances aggression and restraint, culminating in transcendent, emotionally charged climaxes that feel cosmic in scope
5:53

A cinematic progressive Metalcore epic fuses dense, down-tuned polyrhythmic guitars with soaring ambient layers—ethereal pads, spectral choir, and cathedral-reverb Rhodes, Lush violin and standup bass thread melancholy motifs through textured swells, joined by nature sounds and immersive stereo imaging, Verses feature near-tearful male vocals with a European accent gliding over shifting meters, soft male harmonies, and mellow, melancholic synths, Emotional melodic flow blends with atmospheric trip hop sections; sporadic screamed vocals and raspy male phrasing heighten intensity, Each section masterfully balances aggression and restraint, culminating in transcendent, emotionally charged climaxes that feel cosmic in scope
3:50

Uncomfortably Numb
v4.5-all
⫸ [Emo / Indie Rock, Midwest emo, math rock, post-rock at
95–105 BPM in D major / modal interchange with open tunings]
⫶⫶
[Clean electric guitars with open-string arpeggios, subtle palm-muted accents, melodic bass lines, soft but dynamic live
drums, minimal ambient reverb textures, ]
⫶⫶
[▻[Intro] opens with intertwined clean guitar arpeggios in odd-time phrasing, slightly syncopated, → [Verse] settles into a steady, understated groove with conversational vocals, → [Chorus] swells gently without aggression—emotional lift through harmony rather than volume, → [ Instrumental break] emphasizes math-rock guitar interplay & dynamic restraint, → [Outro] gradually strips back, leaving lingering guitar
resonance & emotional ambiguity, ]
⫶⫶
(midwest emo, math rock, indie rock, clean guitars, open tunings, Introspective, emotionally restrained, quietly melancholic, nostalgic, detached warmth male and female call & response vocals, falsetto)
6:34

All Belief
v4.5-all
An ambient prog metal odyssey: atmospheric pads and clean guitar arpeggios usher in a nighttime vibe, Verses pulse with syncopated djent grooves and haunting keys over booming power bass, female vocals soaring, Build brings 7-string tapping and lush harmonies, peaking into a chorus of melodic leads and towering guitar walls in expansive, cathedral-like space, Breakdown devastates with crushing polyrhythms in 7/8, then flows into a 2-minute solo packed with harmonic tapping, tremolo, liquid bends, and lo-fi shoegaze textures, Outro taps gothic moods, dissolving into ambient keys and a resolving, sun-drenched lead as everything fades into darkness
7:00

Monday
v4.5-all
An ambient prog metal odyssey: atmospheric pads and clean guitar arpeggios usher in a nighttime vibe, Verses pulse with syncopated djent grooves and haunting keys over booming power bass, female vocals soaring, Build brings 7-string tapping and lush harmonies, peaking into a chorus of melodic leads and towering guitar walls in expansive, cathedral-like space, Breakdown devastates with crushing polyrhythms in 7/8, then flows into a 2-minute solo packed with harmonic tapping, tremolo, liquid bends, and lo-fi shoegaze textures, Outro taps gothic moods, dissolving into ambient keys and a resolving, sun-drenched lead as everything fades into darkness
7:59

No Answer
v4.5-all
[Genre] – Instrumental Progressive Metal
[Sub-genres] – Djent, Modern Prog, Fusion Metal, Technical Rock
[Mood/Vibe] – Tense, introspective, cerebral urgency, restrained aggression
[BPM] – 120–150 (elastic feel with push–pull dynamics)
[Tuning] – Drop C / Drop B (extended-range clarity, tight low end)
[Song Structure] – ABACD (motif-driven, evolving sections, no traditional chorus)
Instrumentation – Extended-range bass (melodic + rhythmic lead), low-gain to mid-gain electric guitars, crisp progressive drums, minimal ambient guitar swells, [Tags] - (instrumental prog metal, modern djent, bass-forward mix, hyper-tight rhythm section, clean articulation, punchy kick, controlled distortion, studio quality, hi-fi clarity, dynamic contrast, minimalist ambience, cerebral, precise, understated intensity)
3:55

[Genre] Deathcore
[Sub-genres] Symphonic deathcore, technical death metal, blackened elements
[Mood/Vibe] Apocalyptic, celestial dread, ritualistic violence
[BPM] 195–210
[Tuning] Drop G / Drop F
[Song Structure] ABACB + breakdown finale
[Instrumentation]
8-string guitars, sub-follow bass, blast-heavy drums, orchestral strings & choirs, cinematic risers
[Music Tags]
symphonic deathcore, cinematic metal, brutal, technical, massive low end, razor-tight mix, epic scale, blackened death metal, epic sound, piano melody, tight percussion, complex rhymes, groovy
3:36

I felt a Funeral, in my Brain
v4.5-all
[Genre] Deathcore
[Sub-genres] Symphonic deathcore, technical death metal, blackened elements
[Mood/Vibe] Apocalyptic, celestial dread, ritualistic violence
[BPM] 195–210
[Tuning] Drop G / Drop F
[Song Structure] ABACB + breakdown finale
[Instrumentation]
8-string guitars, sub-follow bass, blast-heavy drums, orchestral strings & choirs, cinematic risers
[Music Tags]
symphonic deathcore, cinematic metal, brutal, technical, massive low end, razor-tight mix, epic scale, blackened death metal, epic sound, piano melody, tight percussion, complex rhymes, groovy
2:51

MySelF
v4.5-all
[Genre] Alternative Rock / Alt-Metal
[Sub-genres] Emo-tinged rock, post-hardcore influence, modern alt
[Mood/Vibe] Urgent, nocturnal, reckless, emotionally charged, tense momentum
[BPM] ~145 BPM
[Tuning / Key] C minor (drop-tuned guitars, dark tonal center)
[Time Signature] 4/4 (driving backbeat, syncopated accents)
[Instrumentation]
Distorted electric guitars with palm-muted verses and open-chord choruses, melodic but gritty bass following root motion, punchy live drum kit (tight kick, cracking snare), atmospheric background guitar layers, raw male lead vocals with slight grit and delay tails, Kick anchors beats 1 & 3 with syncopated pushes, snare hard on 2 & 4, steady 8th-note hi-hat driving forward motion; bridge shifts to half-time for contrast, [Tags]
alternative rock, alt-metal, emo-rock, dark modern rock, driving drums, punchy snare, gritty vocals, distorted guitars, minor key tension, high energy, studio quality, crisp mix, pronounced low end, dynamic contrast, intense
2:47

WHO AM I (An Anonymous Letter)
v4.5-all
Crushing ultra-low guitars in Drop F pound with downtuned chugs and sharp, djent-influenced syncopation, The drums punch at 70–85 BPM, blending triggered kicks and tightly gated snares with split-second breakdowns and blasts, Massive sub bass rumbles beneath layers of controlled distortion and industrial FX, Hardcore punk outbursts and cybernetic synth layers heighten the hostile, street-level intensity, Industrial atmospheres, hyper-wide stereo effects, and precise, modern mix bring everything into razor-sharp focus for a brutal, oppressive sound, Instrumentation
8-string distorted guitars (brickwall tone, minimal note movement), sub-heavy bass mirroring guitar riffs, slam-style drum kit with china emphasis, raw hardcore vocals (gutturals + barked shouts), minimal atmosphere
beatdown hardcore, snuffed on sight style, downtempo deathcore, slam riffs, ignorant heavy, caveman chugs, raw aggressive vocals, punchy drums, massive low end, minimal polish, live-room brutality)
3:11

In The Wood
v4.5-all
[Genre] Alternative Rock / Alt-Metal
[Sub-genres] Emo-tinged rock, post-hardcore influence, modern alt
[Mood/Vibe] Urgent, nocturnal, reckless, emotionally charged, tense momentum
[BPM] ~145 BPM
[Tuning / Key] C minor (drop-tuned guitars, dark tonal center)
[Time Signature] 4/4 (driving backbeat, syncopated accents)
[Instrumentation]
Distorted electric guitars with palm-muted verses and open-chord choruses, melodic but gritty bass following root motion, punchy live drum kit (tight kick, cracking snare), atmospheric background guitar layers, raw male lead vocals with slight grit and delay tails, Kick anchors beats 1 & 3 with syncopated pushes, snare hard on 2 & 4, steady 8th-note hi-hat driving forward motion; bridge shifts to half-time for contrast, [Tags]
alternative rock, alt-metal, emo-rock, dark modern rock, driving drums, punchy snare, gritty vocals, distorted guitars, minor key tension, high energy, studio quality, crisp mix, pronounced low end, dynamic contrast, intense
6:21

Black Hole Soul
v4.5-all
[Extreme Metal][djent][progressive metal][Mæshuggah][4/4 triplet][110 BPM][8-string F#][polyrhythmic][negative space][industrial decay][analog warmth][clinical surgical][sparse][cathedral ambience][infinite reverb tails] They Move Below, [Intro] haunting clean harmonics, subterranean drone, vinyl crackle
[Verse] triplet groove locks, sparse hi-hat Morse code, tape saturated
[Build] second guitar polyrhythm thickens, ominous dissonance rises
[Chorus] massive syncopated breakdown, seismic double-kick, dynamic range
[Bridge] half-time atmospheric crush, swirling lead harmonics peak
[Outro] single harmonic ping, final chug echo void {lush reverb}, [tags]: power bass, booming, down-tempo, danceable groove, night vibes, vinyl crackle, ritual, bass, tribal beats, fast drums, melodically, repetitive beats, anguish, metal, studio production, HI-FI, 3D Stereo, compression, metal
3:16

There Will Come Soft Rains.
v4.5-all
A six-minute deathcore/djent fusion in F# minor at 86 BPM, launching with a swelling riser and subterranean sub-bass, Verses/choruses feature 9-string, downtuned palm-muted guitar riffs, wide stereo pig squeals, guttural vocal fry, and dense blast beats, Breakdowns crush with syncopated chugs, Builds use layered tension effects before exploding into even heavier, chaotic choruses, The bridge drops to eerie, ambient textures—distant bass, spectral guitar, and dissonant FX—before the final climax: orchestral stacks, massive low end, brutal drumming, and a dark, precise guitar solo tearing through, Recording is studio-polished with modern production, balancing raw violence with sharp intricacy
7:39

The Dreamer
v4.5-all
Ethereal post-rock and alt-R&B textures merge with progressive metal and folk, Reversed guitar swells, vinyl crackle set the intro, Verse 1 blends glitchy Rhodes, whispered vocals, Chorus surges: lush guitars, reverb, deep sub-bass, sidechained drums, airy harmonies, Bridge becomes ambient and cinematic, with floaty ad-libs, then launches into an epic post-metal crescendo before fading into ghostly echoes, Progressive folk touches thread intricate acoustic passages and dynamic shifts, weaving melodic intimacy into the cinematic soundscape
7:59

A progressive prog-metal/math-rock/Indie-pop-rock jam spills over with clean and distorted 8-9/12 string guitars soaked in heavy reverb, LSD, and slow attack gated delay, weaving hemp textures, Whispered effects hover below droning e-bass and spastic triplet double-kick drums, while microtonal riffs and 4-8 bar crescendos inject psychedelic, nocturnal springtime energy, Layers patiently marinate with dynamic swells, balancing illumination and slumber, locking into double helix lattice grooves with bouncy, yin-oriented syncopated bass and yang-aligned hi-hat rolling nuance, each progression more intense and expansive, slow build, cultivated build-up, staccato rhythm-driven, ethereal carbon fiber pan flute, slow flow, dark grow room tone, 'i can't believe it's not butter' smooth groove, Rhode-synth arpeggio, toms,
7:48

A progressive prog-metal/math-rock/Indie-pop-rock jam spills over with clean and distorted 8-9/12 string guitars soaked in heavy reverb, LSD, and slow attack gated delay, weaving hemp textures, Whispered effects hover below droning e-bass and spastic triplet double-kick drums, while microtonal riffs and 4-8 bar crescendos inject psychedelic, nocturnal springtime energy, Layers patiently marinate with dynamic swells, balancing illumination and slumber, locking into double helix lattice grooves with bouncy, yin-oriented syncopated bass and yang-aligned hi-hat rolling nuance, each progression more intense and expansive, slow build, cultivated build-up, staccato rhythm-driven, ethereal carbon fiber pan flute, slow flow, dark grow room tone, 'i can't believe it's not butter' smooth groove, Rhode-synth arpeggio, toms,
5:52

A progressive prog-metal/mathcore/thall track erupts with clean and distorted 8-9 string guitars soaked in heavy reverb and delay, weaving spectral textures, Whispered effects float above droning e-bass and relentless triplet double-kick drums, while microtonal riffs and sudden crescendos inject haunted, nocturnal energy, Layers patiently build with dynamic swells, balancing vulnerability and aggression, locking into twisting grooves with bouncy, space-oriented syncopated bass and metallic nuance, each progression more intense and expansive
3:06

(𝗢𝗯𝗷𝗲𝗰𝘁.|'ℙ𝕖𝕣𝕞𝕒𝕟𝕖𝕟𝕔𝕖]
v4.5-all
Progressive mathcore meets tribal death metal, Intense, primal mood — brooding tension exploding into cataclysmic fury, Polyrhythmic guitar chugs, djent stabs, grinding low-end riffs, thunderous double-kick drums, ambient swells, and guttural roars with dissonant cleans, [Intro 0:00] Eerie ambient drones + sparse math grooves
[Verse 1 0:20] Building polyrhythms, tribal percussion tension
[Drop 0:50] Gojira-style riff avalanche, brutal breakdown
[Bridge 1:40] Uneven Structure ambient respite, rising dissonance
[Outro 2:30] Seismic crescendo, fading ritual echoes, Tone reference: Uneven Structure’s Frost x Gojira’s The Cell — surgical grooves, volcanic aggression, hypnotic fury, ”, heavy bass drop, flac, dreamy atmosphere, neo-psychedelia
5:29

] ✞𝖔𝖒𝖔𝖗𝖗𝖔𝖜-𝖆𝖙-𝕯𝖆𝖜𝖓 [
v4.5-all
black metal channeling Miserere Luminis, ethereal dreamscape, 135 BPM A minor tremolo walls, velvet chest neo-soul stank face low-end, ORDALIE a été créé par Miserere Luminis Annatar: Guitare, voix Neptune: Guitare, basse, piano, textes, saxophone Icare: Batterie, voix, cordes, [Intro 0:00-0:36] *riser* {layer: sub-bass}
[Verse 0:36-1:48] tremolo walls
[Build 1:48-2:24] *tension riser*
[Drop/Chorus 2:24-3:36] tremolo walls
[Bridge 3:36-4:48] *ambient break*
[Finale 4:48-6:00] *epic climax* {layer: orchestra}
Tags: black metal, ethereal dreamscape, verse-chorus w/ bridge
Length: 6:00
3:43

a Good Start
v4.5-all
stripped back acoustic prog metal heartfelt admission begins with atmospheric 12 string acoustic arpeggio, clean 6-string rhythm, and rich ambient baby grand piano layers at 77 BPM, Verses bring syncopated hammer-on guitar grooves and intimate soft reverbed keys, blend into a swirling build with slick tapping and harmony waves, The chorus blooms into melodic lead valleys and stadium-like ambience, dynamic and umbra-drenched, The breakdown thumps in 7/8 poly-rhythm, followed by a 3-minute guitar solo of tapping, tremolo, tap harmonics, and quantum bends, supported by punchy yet airy jazz drums and rich power bass, raining melodies glide until the outro’s ambient, haunting fade, resolving final leads in a primordial atmosphere, solar system, guiter, emptiness, hi fidelity, dream core, instruments: guitar, poetic pop, sad melancholy, voice crack
5:39

Phi in the Wild
v4.5-all
A dark, psychedelic rock piece at 64 BPM in G minor, opening with a dense sub-bass riser, Verses feature granular synthesis textures, stanky bass lines, and shouted punk-inspired vocals atop warped guitars, Build uses intense risers and tension, Drop/Chorus explodes with bass groove, wild granular textures, and double bass drum, forming an unconventional prog structure, Bridge is an ambient break using siren-like synths and minimal wave motifs, hinting at waltz or cumbia rhythms, Finale merges orchestra, distorted guitars, epic drums, and sufi-inspired melodic lines for an innovative, maximalist climax, Odd meters, alternative pop/neo-rockabilly flourishes, and raw emotion throughout
4:43

Phi in the Wild II
v4.5-all
A dark, psychedelic rock piece at 64 BPM in G minor, opening with a dense sub-bass riser, Verses feature granular synthesis textures, stanky bass lines, and shouted punk-inspired vocals atop warped guitars, Build uses intense risers and tension, Drop/Chorus explodes with bass groove, wild granular textures, and double bass drum, forming an unconventional prog structure, Bridge is an ambient break using siren-like synths and minimal wave motifs, hinting at waltz or cumbia rhythms, Finale merges orchestra, distorted guitars, epic drums, and sufi-inspired melodic lines for an innovative, maximalist climax, Odd meters, alternative pop/neo-rockabilly flourishes, and raw emotion throughout
4:34

(ⓢⓎⓝ)
v4.5-all
This progressive metal piece in Open C# and 5/4 pulses at 88 BPM, fusing digital textures and gentle percussion, Atmospheric pads, piano arpeggios, and clean guitar swells set the intro, Intricate picking and pulsing grooves drive verses, while chorus bursts with melodic djent leads, syncopated drums, and layered harmonies, Expansive ambience and technical interplay fill evolving verses, The bridge halts with poly-rhythmic chugs, thick synths, weaving in bachata-tinged rhythmic details and alt-rock energy, A solo highlights meter shifts, soaring above swelling strings and delay-drenched leads, The finale is lush, enveloped in 3D stereo, closing on piano and gentle clean guitars, colored by fantastical textures and clear British male vocals
4:06

I heard of a man ...
v4.5-all
Fast-paced indie math-rock/midwest-emo track with a 3/4 drive in G major pentatonic scale launches in with choppy, long-sustain electric guitars and punchy toms, quickly joined by powerful guitars and urgent chamber ensemble strings, Rhythmic wobbles and plucked melodies interplay, while bursts of dancehall and gambus מזרחי styling add texture, A bboy break inserts percussive attitude before surging back to the instrumental peak, The outro pares down to reverberant plucks, distant bass, and sparse echoes, leaving unresolved tension
2:21

ᵢ ⲏₑₐᵣ𝑑 ₒ𝑓 ₐ 𝑚ₐ𝑛 . . . ᵛ²
v4.5-all
Fast-paced indie math-rock/midwest-emo track with a 3/4 drive in G major pentatonic scale launches in with choppy, long-sustain electric guitars and punchy toms, quickly joined by powerful guitars and urgent chamber ensemble strings, Rhythmic wobbles and plucked melodies interplay, while bursts of dancehall and gambus מזרחי styling add texture, A bboy break inserts percussive attitude before surging back to the instrumental peak, The outro pares down to reverberant plucks, distant bass, and sparse echoes, leaving unresolved tension
6:29

WITHOUT ̶M̶E̶
v4.5-all
A djent prog instrumental at 84 BPM in F minor, launching with a sub-bass riser and wide stereo imaging, A pulsing drone bass anchors the verse, evolving with syncopated riffs and metallic textures, Tension rises for the build, then a mega slam drop explodes with crushing guitars and high-impact drums—synthpad melodies cut through, euphoric and unforgettable, The bridge drifts into ambient soundscapes and lush reverb, then everything surges back for a grand finale: heavy rhythmic layers merge with orchestral swells and soaring synths for a climactic, epic finish
