Blacklist

This is a heavy metal song with a driving tempo of 120 BPM in the key of E minor, The song features a male vocalist with a powerful, raspy voice, often employing a growl technique, The instrumentation includes distorted electric guitars playing heavy riffs and melodic leads, a prominent bass guitar providing a strong rhythmic foundation, and a drum kit with a focus on double bass drumming and cymbal crashes, The song structure alternates between verses, choruses, and a bridge, with an instrumental guitar solo, Production elements include a tight, compressed mix, with the guitars panned wide and the vocals centered, Reverb is used on the vocals and guitars to create a sense of space, The chord progressions are typical of heavy metal, utilizing power chords and minor scales

This is a high-energy metalcore track with a strong emphasis on rhythmic complexity and aggressive vocal delivery, The song features a driving tempo, distorted guitars, a prominent bass line, and powerful drumming with frequent double bass patterns, The chord progressions are primarily minor key, contributing to the intense atmosphere, The male vocals alternate between clean, melodic singing and harsh, screamed passages, The song structure includes distinct verse, chorus, and bridge sections, with instrumental breaks showcasing guitar riffs and drum fills, Production elements include heavy compression on drums and guitars, a wide stereo image, and a clear separation of instruments in the mix, The guitar solos are melodic yet technically proficient, incorporating fast runs and vibrato, The overall feel is one of urgency and power

[Style: 1980s metal rock fuses with Daryl HallDNA in a grand cinematic worship, cathedral-clean + sweeping orchestral strings + resonant grand piano + subtle Celtic harp and flute accents + massive multilayered 4 piece alt modal and triton Detroit gospel tech choir swells + reverent intimacy to triumphant glory mood + clean cathedral reverb + wide dynamic range and warm analog mastering] [Lead: emotive male Irish-tinged tenor with raw vulnerability, rising to powerful soaring belts] [Choir: full cathedral choir with harmonious call-and-response, distant heavenly echoes] [Effect: reverse piano swells, subtle harp glissandos, sustained string tails] [Build: intimate piano confession to full orchestral throne-room exaltation] [Style Influence: 90%] [Weirdness: 22%] [Prompt Enhancer: ON] exclude: distortion, electronic, ‑etro clichés, ‑over-polish, ‑sterile production, ‑non- human

This instrumental piece features a slow tempo and a melancholic mood, driven by a prominent acoustic guitar melody, The guitar plays a fingerpicked arpeggiated pattern throughout, creating a flowing and introspective atmosphere, The chord progression is primarily minor, contributing to the somber tone, There are no drums or percussion, allowing the guitar to remain the central focus, The production is clean and intimate, with the guitar sounding natural and unprocessed, The melody is simple yet expressive, with sustained notes that allow for emotional resonance, The overall structure is repetitive, emphasizing the hypnotic quality of the arpeggios, The piece is in a minor key, likely A minor, and maintains a consistent slow tempo

This is a heavy metal song with a driving tempo of 120 BPM in the key of E minor, The song features a male vocalist with a powerful, raspy voice, often employing a growl technique, The instrumentation includes distorted electric guitars playing heavy riffs and melodic leads, a prominent bass guitar providing a strong rhythmic foundation, and a drum kit with a focus on double bass drumming and cymbal crashes, The song structure alternates between verses, choruses, and a bridge, with an instrumental guitar solo, Production elements include a tight, compressed mix, with the guitars panned wide and the vocals centered, Reverb is used on the vocals and guitars to create a sense of space, The chord progressions are typical of heavy metal, utilizing power chords and minor scales

Full-spectrum 2028 metal-fusion protest anthem blending street-preacher hip hop, gospel fire, and raw funk-rock roots, Opens with a hard 4-on-the-floor kick, metallic percussion, slap bass interlocked with syncopated hi-hats, and detuned subs pulsing beneath analog grit, Overdriven guitars trade lines with FM synths, granular pads, and alien textures, creating a shifting soundscape that morphs from groove to chaos to transcendence, Vocals move between rap, chant, spoken-word, and gospel belts—urgent, unfiltered, life-or-death tone, Parallel whispers and ancestral echoes fill the background, forming a prophetic call-and-response, Midsection erupts into riff-driven rock layers and gospel harmonies that lift like revival fire, A searing guitar solo splits through glitch bass and choral drones before collapsing into a mallet-and-sub-bass outro with deep resonance and rhythmic decay, Mastering: wide stereo spread, analog saturation warmth, elastic bass movement, crisp vocal clarity, balance, ‑etro clichés, ‑over-polish, ‑sterile production, ‑non- human

[Style: crushing prophetic thrash metal + 2025 hyper-real production + downtuned 7-string guitars in Drop D + seismic palm-muted chugs + lightning double-kick fury + razor lead harmonies + gang-shouted declarations + atmospheric clean breaks with distant choir echoes + ultra-loud mastering with brutal low-end authority, crisp high-end bite, and wide stereo warfare] [Lead: raw commanding male growl-to-soaring clean with James Hetfield-style prophetic fire] [Background: gang-shouted battle cries + distant angelic choir on prayer bridge] [Effect: reverse reverb intro hits + thunderous tom war drums + final feedback roar into victory swell] [Build: ominous clean intro riff → explosive main thrash at first verse → escalating intensity into prayer bridge → full chaos breakdown → massive final chorus triumph] [Style Influence: 96%] [Weirdness: 25%] [Prompt Enhancer: ON]

This studio rock track features Daryl hallDNA in a foundation of driving organic drums and crunchy guitars, layered with alientechfunk synths delivering punchy, otherworldly textures, The choruses erupt with gospel-inspired harmonies, while vocals land repetitive, hook-laden phrases punctuated by call-and-response echoes, Flavors of funk and electronic genres are woven in with tight basslines and crisp percussion, Choir is a three piece tritonal alt modal Detroit gospel tech choir intimate, The production is polished and dynamic, with professional mixing emphasizing pristine clarity and powerful impact in every section, fusing with [Style: dark prophetic folk-blues + Leonard Cohen DNA deep baritone + sparse fingerpicked acoustic guitar in open D minor tuning + subtle upright bass pulses + distant reverb-drenched shofar-like harmonica wails + faint war-drum percussion + haunting female choir harmonies on refrains + warm tube saturation and vinyl crackle + ultra-intimate 2025 mastering

This studio rock track features Daryl hallDNA in a foundation of driving organic drums and crunchy guitars, layered with alientechfunk synths delivering punchy, otherworldly textures, The choruses erupt with gospel-inspired harmonies, while vocals land repetitive, hook-laden phrases punctuated by call-and-response echoes, Flavors of funk and electronic genres are woven in with tight basslines and crisp percussion, Choir is a three piece tritonal alt modal Detroit gospel tech choir intimate, The production is polished and dynamic, with professional mixing emphasizing pristine clarity and powerful impact in every section, fusing with [Style: dark prophetic folk-blues + Leonard Cohen DNA deep baritone + sparse fingerpicked acoustic guitar in open D minor tuning + subtle upright bass pulses + distant reverb-drenched shofar-like harmonica wails + faint war-drum percussion + haunting female choir harmonies on refrains + warm tube saturation and vinyl crackle + ultra-intimate 2025 mastering

This studio rock track features Daryl hallDNA in a foundation of driving organic drums and crunchy guitars, layered with alientechfunk synths delivering punchy, otherworldly textures, The choruses erupt with gospel-inspired harmonies, while vocals land repetitive, hook-laden phrases punctuated by call-and-response echoes, Flavors of funk and electronic genres are woven in with tight basslines and crisp percussion, Choir is a three piece tritonal alt modal Detroit gospel tech choir intimate, The production is polished and dynamic, with professional mixing emphasizing pristine clarity and powerful impact in every section, fusing with [Style: dark prophetic folk-blues + Leonard Cohen DNA deep baritone + sparse fingerpicked acoustic guitar in open D minor tuning + subtle upright bass pulses + distant reverb-drenched shofar-like harmonica wails + faint war-drum percussion + haunting female choir harmonies on refrains + warm tube saturation and vinyl crackle + ultra-intimate 2025 mastering

This psychedelic pop odyssey launches with groovy alien-hop synths, acoustic percussion, and lush fretless bass, Verses layer Pluto-rock tones, sly laughs, bagpipes, koto, funk brass, ukulele slide, barnyard samples, and gospel choirs, Bridges merge mantras, choral swells, opera, throat singing, didgeridoo chants, owl hoots, Breakdowns deliver Greek-tech waltz, meows, swirling "moo" motifs, The finale erupts: strings, raging Juno synths, world choir, dancer’s drums, and a wild operatic peak, all pristinely mastering the vocals

[Style of Music: aggressive thrash metal with gospel victory infusion and 2028 futuristic edge | crushing palm-muted riffs evolving into open power chords | double-kick drums thundering relentlessly | soaring layered choir harmonies clashing with shredding guitar solos | MetallicaDNA riff structure and cadence at core—fast downpicked verses, explosive choruses, extended instrumental breaks/solos, dynamic arc from tension to triumphant release | time signature shifts implied for epic feel] [Style Influence: 90%] [Weirdness: 35%] [Prompt Enhancer: ON] [Lead: powerful male vocal with gritty belts | shifting from menacing verses to victorious shouts | JamesHetfieldDNA delivery] [Choir: massive gospel choir | building from ominous hums to triumphant roars in choruses] [Guitar: twin lead shredding solos | heavy distortion throughout]