International Versions (各国語版)

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Cinematic military rock emotional but restrained no narration, no radio voice focus on human resolve Male Vocal

Rock, Electric, High Energy, Aggressive, Fast Tempo, male vocals

Female Vocals, Cinematic military rock emotional but restrained no narration, no radio voice focus on human resolve

Jazz, Double Bass, Grand Piano, Drummer, Boozy Jazz, Female Vocals [Sing as you like, ]

Jazz Vocal Track Set In A Quiet Night Bar, Minimal Jazz Arrangement: Piano As The Main Instrument, Optional Double Bass Or Cello For Low-End Support, No Drums Or Very Soft Brush Only, No Busy Rhythm, No Swing Emphasis, Male Vocal, Low, Calm, Slightly Husky Voice, Sing Freely, Almost Like Speaking, No Emotional Push, No Dramatic Expression, Lyrics Should Feel Like Inner Thoughts, Not A Performance, Slow To Mid Tempo With Natural Rubato, Let Phrases Breathe, Silence And Space Are Important, Mood: Intimate, Relaxed, Slightly Detached, Not Sad, Not Happy, Just Existing In The Moment, No Big Chorus Lift, No Resolution, The Song Should End The Same Way It Begins, Jazz, Late Night, Bar Atmosphere

Japanese Electro-Dance Track, 128–132 BPM, High-energy, rhythm-driven structure built around realistic modern air combat terminology delivered as rapid-fire lyrical elements, Male lead vocal preferred, low and authoritative, Verses describe launch and climb phases using short operational phrases, Chorus functions as a compressed real combat sequence in correct tactical order: Merge → One-Circle/Two-Circle → Lock → Fox 2 → Defensive Break → Notch/Beam → Flares/Chaff → Blackout → Re-engage, Strong four-on-the-floor kick, driving bass, tight hi-hats, Minimal harmonic movement, Energy builds through rhythmic layering and tactical density, not cinematic drops, Spoken alert phrases allowed, concise and radio-authentic, No poetic abstraction, no orchestration, no sentimental tone, Hook must be short and chantable: “Survive, ”

Monumental Choral-Orchestral Music In The Russian National Anthem Tradition, Tempo 78 Bpm, Strict And Unwavering, No Tempo Changes, Full Orchestra Foregrounded With Broad Strings, Warm Low Brass, French Horn Layers, And Controlled Timpani, Harmony Is Dense And Layered Across The Midrange, No Swing, No Syncopation, No Modern Elements, Large Mixed Choir Only (Expanded SATB With Divisi), No Solo Voices, No Duets, No Foregrounded Sections, Choir Functions As A Unified Architectural Mass, High Midrange Vocal Density With Close Harmonic Voicings, Sustained Legato Lines, Vowel-Rich Delivery, Softened Consonants, Frequent Octave Doubling And Inner Voice Movement To Create Thickness Rather Than Weight, Emotion Is Collective And Cultural, Authoritative But Not Aggressive, Continuous Structure With No Silence Breaks Or Dropouts

Monumental American Patriotic Choral-Orchestral Music In The Tradition Of Grand Civic Anthems And Ceremonial Marches, Tempo 100 Bpm, Strong Forward Drive, No Tempo Changes, Full Symphonic Orchestra With Prominent Trumpets And Bright Brass Fanfares, Clear Snare Drum Undercurrent Providing Measured March Momentum, Timpani Used For Cadential Emphasis Rather Than Weight, Strings Use Open, Expansive Voicings With Clear Major Harmonic Resolution, Harmony Is Bright, Aspirational, And Confident, Avoid Dense Midrange Clustering, Large Mixed Choir (SATB) With Clear Enunciation And Slightly Forward Placement In The Mix, Choir Delivers Declarative Lines With Conviction And Lift, Not Architectural Mass, Melodic Writing Emphasizes Ascending Motion, Strong Major Cadences, And Emotional Crescendos Into Each Chorus, Dynamic Contrast Is Noticeable But Controlled — Build Toward Each Chorus With Measured Swells, Emotion Is Idealistic, Resolute, And Future-Oriented, Authority Comes From Conviction An

Dark Medieval Waltz, 3/4, 96 Bpm, D Minor, Intimate Cinematic Chamber Orchestra With Haunted Ballroom Atmosphere, Strict Elegant Waltz Pulse (Oom-Pah-Pah), No Swing, Close Acoustic Piano Waltz Chords, Low Strings (Cello, Viola) Carry Pulse, Soft Double Bass Pizzicato, Light, Tense Violins (No Lush Romantic Swells), Occasional Soft Harp, Subtle Bass Clarinet Or Oboe For Cold Sacred Tone, Female Vocal, Close-Mic, Intimate And Dry, Breathy And Fragile In Verses, Controlled Lift In Chorus, Minimal Vibrato (Only On Long Notes), No Operatic Belt, Before Each “J’arrête——” Insert Half-Beat Micro-Silence, Bridge “Moi… j’ai peur, ” Almost Whispered, Final Chorus Slightly Wider Strings + Very Faint Mixed Choir “Ah” (No Lyrics), Radiant But Contained, Cinematic Depth, Clear Vocal Front, Organic Acoustic Texture Only, Exclude: No Modern Pop, No Disney Tone, No Musical Theatre, No EDM, No Trailer Impacts, No Aggressive Brass, No Big Hollywood Orchestra, No Gospel Choir, No Gothic Metal

Grand comedic Opera Buffa, 120 BPM, 4/4, strict tempo (no changes), Male operatic lead (tenor–baritone), clear Japanese diction, dramatic long vowels, Full symphony orchestra in a large hall: legato strings, bright brass fanfares (trumpets/horns/trombones/tuba), playful woodwind runs (flute/oboe/clarinet), timpani for cadences, bass drum + cymbal only on big hits, Harmony is classical and resolutive (strong V–I), theatrical and noble but humorous, Pre-Final: sudden near-silence / minimal orchestra while the lead states the line; then a cappella mixed choir “Ah/Oh” for 1–2 bars, Final Chorus: key up (up 1–2 semitones), bigger choir and wider orchestra, triumphant close, Mix: strong concert hall reverb, vocal forward, orchestra wide behind, Exclude: EDM, trap, dubstep, lo-fi, rock band, rap, heavy autotune, super-dry close vocal, extreme tempo tricks

German ceremonial martial orchestral style (structured, disciplined, not aggressive), 120 BPM, 4/4, strict tempo, Male operatic lead, firm and authoritative, clear German diction, Mixed SATB choir, unified rhythmic emphasis but not shouted, controlled dynamics, Orchestra: strong low string pulse, restrained brass statements (short, firm), clear rhythmic articulation, No snare-drum march rolls, no aggressive shouting, Harmonic structure strict and tonal, forward-moving rhythm, disciplined energy

Japanese Electro-Dance Track, 128–132 BPM, Male Lead Vocal, Low, Harsh, Dry, Authoritative, Spoken, Commanding, Radio-Authentic, Tactical Call Delivery, Minimal Melody, Rhythmic Speech, Tight Phrasing, Aggressive, Pressurized, More spoken than sung, Modern air combat brevity and tactical terminology, Short, punchy operational phrases, Chorus feels like a compressed combat sequence, Strong four-on-the-floor kick, driving bass, tight hi-hats, minimal harmony, No orchestration, no sentimental tone, no soft singing, Hook: “Survive, ”