2:57
Cinematic intro blending Tribal Ambient and Dark Orchestral Metal, Start with slow, echoey African percussion (Djembe, Udu) and a haunting Kora melody, Introduce a mournful African flute and deep orchestral strings (cellos) around 0:30, building dread, At 1:00, the drumming becomes frantic, and a heavily distorted, dissonant, downtuned guitar chord enters and sustains, End with a massive gong hit and a bass drop, leaving only the ringing guitar feedback, Instrumental, Slow tempo
7:37
Fast Melodic Death Metal (Tribal Death Metal), Relentless double-kick drumming with complex tribal polyrhythm influence, Features furious tremolo riffing and powerful, harmonized twin-lead guitar melodies in the soaring chorus, Vocals alternate between low guttural growls and high-pitched snarls, Include a blazing, technical melodic guitar solo using African-inspired scales, Write the music and vocals for the lyrics provided, focusing on aggression and melody
6:02
Genre & Style: Technical Melodic Death Metal / Tribal Fusion, Technical Melodic Death Metal / Tribal Fusion, Extremely fast and complex polyrhythmic drumming (Djembe, talking drum, death metal kit), Highly technical, harmonized guitar riffs using non-Western African-inspired scales, Vocals are guttural death metal growls mixed with clean, ritualistic chanting, Include a technical, blazing guitar solo that interacts with the shifting complex rhythms, Write the music and vocals for the lyrics provided, making the rhythmic complexity the key focus
7:10
Create a slower, doom-laden Melodic Death Metal track focused on melancholic melody and African folk instrumentation, making the emotional core of the album, Genre & Style: Doom/Melodic Death Metal Hybrid / Folk-Doom, Instrumentation & Soundscape:
1, Tempo & Energy: Slow, crushing, doom-like tempo (around 80-90 BPM), The overall feel is mournful and heavy, 2, Fusion: Extensive use of Kora (African harp) and African flute melodies throughout the song, intertwining with the distorted guitars, Tribal drumming should be present but slower and more deliberate than previous tracks, emphasizing the deep bass drum (Gbedu/Ngoma) sound, 3, Vocals: Alternating between powerful, mid-to-low melodic death metal growls (for the chorus) and clear, deep baritone clean chants (for verses and pre-chorus) to represent the Griot's voice, 4, Key Feature: A long, highly emotive, melancholic guitar solo that focuses on sustain, tone, and African-inspired modal scales rather than raw speed
4:49
Create a high-intensity, brutal Melodic Death Metal track with heavy emphasis on African tribal percussion and ultra-low guttural vocals, Genre & Style: Brutal Melodic Death Metal / Tribal Slam / Afro-Deathcore, Instrumentation & Soundscape:
1, Drums: Start with an isolated, aggressive African Sabar and Djembe solo, Throughout the song, use a mix of a standard death metal kit (blast beats, double kick) and heavy, layered tribal percussion that stays high in the mix, 2, Vocals: Focus on ultra-low, wet guttural growls (slam-style) for the verses, transitioning to powerful, layered death metal snarls for the melodic chorus, 3, Guitars: Heavily downtuned, "chunky" palm-muted riffs for the verses, The chorus must feature soaring, epic twin-guitar harmonies using traditional African folk scales, 4, Folk Element: Integrate a percussive Balafon (wooden xylophone) melody that mimics the guitar riffs to add a "wooden, " earthy texture to the brutality
4:49
Tribal Melodic Death Metal, Featuring prominent, fast Bongo drum patterns and a technical Bongo drum solo in the bridge, Vocals are extremely deep, wet guttural growls mixed with extensive, layered African tribal chanting (call-and-response), Riffs alternate between heavy, low-end grooves and soaring, melodic twin-guitar harmonies, Fast tempo with a crushing slow breakdown, High-energy, ritualistic, and brutal, Write the music and vocals for the lyrics provided, making the bongos and chanting the centerpiece, Vocals: Focus on ultra-deep, guttural "caveman" vocals for the verses, Layer these with traditional African call-and-response chanting (in a deep, male ensemble style) throughout the song, especially in the intro and bridge
4:19
Instrumentation & Soundscape:
1, Intro & Outro: Start and end with a 45-second solo of Bongo drums and a group of African women chanting in a traditional Zulu/Xhosa style, It should sound authentic, ritualistic, and slightly haunting, 2, The Drop: Transition from the intro into a heavy, syncopated, low-tuned Djent riff (percussive "thall" style) that works in tandem with the Bongos, 3, Vocals: Use ultra-low, guttural growls for the main verses, Layer the female chanting as a background texture throughout the chorus and bridge to maintain the tribal feel, 4, Guitars: High-register melodic death metal harmonies during the chorus, sitting on top of a heavy, rhythmic Djent foundation, 5, Drums: Mix a punchy Djent drum kit (snappy snare, triggered kicks) with organic, high-speed Bongo percussion, Djent-style Melodic Death Metal with heavy Tribal African influence, Intro and Outro feature solo Bongo drums and a group of African women chanting in a traditional Zulu style