Guitar 🎸 Works v.01

The song is psytrance-avant-garde-funk fusions, tempo of 100-110 bpm, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, dropping basslines, steady rhythms and backbone, drum kit kicks, snares, and closed high-hats, rhythm guitar fill; production includes: electric guitar plays finger picking melodies, Wah effect used intermittently, expressive phrasing, bass and rhythms provide solid anchoring the harmonic progression, drums incorporating fills to add dynamics, piccolo and pocket trumpet use expressive phrasing during solos; song structure is a continuous instrumental jam, variations in melody and intensity rather than distinct verse-chorus sections, elements include clear mix with leads prominent in the foreground, suitable for live audience performance, wide stereo image, levels adjusted thoroughly throughout song

The song is psytrance-jazz avant-garde fusions, tempo of 100-110 bpm, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, dropping basslines, steady rhythms and backbone, drum kit kicks, snares, and closed high-hats, rhythm guitar fill; production includes: electric guitar plays finger picking melodies, Wah effect used intermittently, expressive phrasing, bass and rhythms provide solid anchoring the harmonic progression, drums incorporating fills to add dynamics, piccolo and pocket trumpet use expressive phrasing during solos; song structure is a continuous instrumental jam, variations in melody and intensity rather than distinct verse-chorus sections, elements include clear mix with leads prominent in the foreground, suitable for live audience performance, wide stereo image, levels adjusted thoroughly throughout song

The song is fusions of blues-jazz, avant-garde, tempo of 90-100 bpm, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, dropping basslines, steady rhythms and backbone, drum kit kicks, snares, and closed high-hats, rhythm guitar fill; production includes: electric guitar plays finger picking melodies, Wah effect used intermittently, expressive phrasing, bass and rhythms provide solid anchoring the harmonic progression, drums incorporating fills to add dynamics, piccolo and pocket trumpet use expressive phrasing during solos; song structure is a continuous instrumental jam, variations in melody and intensity rather than distinct verse-chorus sections, elements include clear mix with leads prominent in the foreground, suitable for live audience performance, wide stereo image, levels adjusted thoroughly throughout song

The song is fusions of blues-jazz, avant-garde, tempo of 90-100 bpm, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, dropping basslines, steady rhythms and backbone, drum kit kicks, snares, and closed high-hats, rhythm guitar fill; production includes: electric guitar plays finger picking melodies, Wah effect used intermittently, expressive phrasing, bass and rhythms provide solid anchoring the harmonic progression, drums incorporating fills to add dynamics, piccolo and pocket trumpet use expressive phrasing during solos; song structure is a continuous instrumental jam, variations in melody and intensity rather than distinct verse-chorus sections, elements include clear mix with leads prominent in the foreground, suitable for live audience performance, wide stereo image, levels adjusted thoroughly throughout song

The song is fusions of blues-jazz, avant-garde, tempo of 90-100 bpm, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, dropping basslines, steady rhythms and backbone, drum kit kicks, snares, and closed high-hats, rhythm guitar fill; production includes: electric guitar plays finger picking melodies, Wah effect used intermittently, expressive phrasing, bass and rhythms provide solid anchoring the harmonic progression, drums incorporating fills to add dynamics, piccolo and pocket trumpet use expressive phrasing during solos; song structure is a continuous instrumental jam, variations in melody and intensity rather than distinct verse-chorus sections, elements include clear mix with leads prominent in the foreground, suitable for live audience performance, wide stereo image, levels adjusted thoroughly throughout song

The song is psytrance-avant-garde-funk fusions, tempo of 100-110 bpm, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, dropping basslines, steady rhythms and backbone, drum kit kicks, snares, and closed high-hats, rhythm guitar fill; production includes: electric guitar plays finger picking melodies, Wah effect used intermittently, expressive phrasing, bass and rhythms provide solid anchoring the harmonic progression, drums incorporating fills to add dynamics, piccolo and pocket trumpet use expressive phrasing during solos; song structure is a continuous instrumental jam, variations in melody and intensity rather than distinct verse-chorus sections, elements include clear mix with leads prominent in the foreground, suitable for live audience performance, wide stereo image, levels adjusted thoroughly throughout song

vocals: blues-rockabilly, sycophantic, male/female lead vocalists, dry, and low pitch, lead: prominent, hollow-body electric steel guitar and harmonica lead, use of M/S left right stereo image splitting, backup: rhythm and bass guitars use left and right panning, steady build and fill, 4/4 kick drums, plenty of use of hi-hats, snares, Moog Minitaur bringing deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, harmonica; tone is dry, mysterious, wired, fuzzy, and deep, crystalline, living, psychedelic, euphoric

vocals: blues-rockabilly, sycophantic, male/female lead vocalists, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin and harmonica lead, use of M/S left right stereo image splitting, reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, 4/4 kick drums, plenty of use of hi-hats, snares, Moog Minitaur bringing deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazz accents from dueling Moog Theremin and harmonica; tone is dry, mysterious, wired, fuzzy, and deep, crystalline, living, psychedelic, euphoric

expressive, instrumental, 60 bpm, cord major g#, left right M/S stereo image, psychedelic, synthesizer bridging padding driving swelling accompaniment wide stereo image, melodic element deep swelling below surroundings, arpeggiated synthesizer riff repeated, subtle filter sweeps, layers clean polished, wide stereo image, strong rhythmic clarity, loop-based structure, gradual introductions build psychedelic atmosphere, leading guitar emotional solos, rhythm bass guitars deep layered, kick snare hi-hat drums movements move piece gentle firm syncopated, electric, classic rock metal fusion, high tension release, weird, wired, electric, chill, illusion, space, symphonic, crystalline, living, euphoric, backing vocals soft voice cute voice humming chanting breathlessly

expressive 60 bpm cord major g#, lush synthesizer bridging pads, SFX, driving swelling accompaniment, wide stereo image, leading bass guitar drive, the instrumentation includes electric guitar tuned fuzzy, bass guitar, drums, synthesizers, The electric guitars plays a clean, slightly overdriven melody with a wah-wah effect used intermittently for expressive phrasing, The bassline adds more deep, somber, darkcore, doomcore, industrial looping, the drums incorporating fills to add more dynamics, more explosive emotional vocals swelling from deep below, rhythm guitars vibrato, more tight and layered synths, left right M/S stereo image, more high tension, more weird, wired, electric, space, illusion, crystalline, alive, breathing, living, euphoric

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin and harmonica lead, use of M/S left right stereo image splitting, reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: 180 bpm, wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazz accents, solo of theremin and harmonica duet, tone is dry, mysterious, wired, fuzzy, and deep, crystalline, living, psychedelic, euphoric

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin and harmonica lead, use of M/S left right stereo image splitting, reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazz accents from dueling theremin and harmonica, tone is dry, mysterious, wired, fuzzy, and deep, crystalline, living, psychedelic, euphoric

vocals: blues-rockabilly, sycophantic, male/female lead vocalists, dry, and low pitch, lead: prominent, hollow-body electric steel guitar and harmonica lead, use of M/S left right stereo image splitting, backup: rhythm and bass guitars use left and right panning, steady build and fill, 4/4 kick drums, plenty of use of hi-hats, snares, Moog Minitaur bringing deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, harmonica; tone is dry, mysterious, wired, fuzzy, and deep, crystalline, living, psychedelic, euphoric

expressive 60 bpm cord major g#, lush psychedelic synthesizer allegretto bridging padding, driving swelling accompaniment, wide stereo image, leading guitar emotional drive, electric guitar, explosive solos, rhythm bass guitars vibrato, tight and layered with synth swells, left right M/S stereo image, kick snare hi-hat drums movements move piece at gentle flow, vocals clear gentle firm syncopated, classic rock metal fusion, male vocals, high tension release, weird, wired, electric, chill, illusion, space, symphonic, crystalline, living, euphoric

A high-energy metal track featuring a driving rhythm section, distorted guitars, and a male vocalist employing a harsh, guttural scream, The song is in a minor key, with a fast tempo around 180 BPM, The instrumentation includes a heavily distorted electric guitar playing fast, palm-muted riffs and melodic lead lines, a bass guitar providing a solid low-end foundation, and a drum kit with prominent double bass drumming and cymbal crashes, The song structure includes distinct verse and chorus sections, with instrumental breaks showcasing guitar solos, Production elements include a tight, punchy mix with the drums and bass providing a powerful backbone, and the guitars layered for a thick, aggressive sound, The vocals are upfront and processed with a slight reverb to add depth, darkcore, somber bassline, doomcore, deathmetal, hardrock metal core, resilience, comeback, overcoming near death

vocals: solo lead male vocalist, clear, sycophantic, and energetic delivery elements with deep, raw, aggressive pitches lead: use of M/S left right stereo image splitting for entire song, includes distorted electric guitar playing power chords; backup: rhythm and bass guitars use left and right panning, drumkit is consistent strong backbeat on the snare, walking bass guitar line, provide solid harmonic foundation, polyrhythmic bass and backup guitar fill, production: wide stereo image, high-energy punk rock track in major key, fast tempo, all instruments clearly audible, live band feel, raw energy, tight musicianship; first movement: rhythmic chords and melodic riffs, often slightly overdriven tone; second movement: chord progression simple and repetitive, catchy and accessible, no complex melodic variations; third movement: build energy and driving feel through repetition and the interplay of the instruments, guitar solo is fast and melodic, utilize Wah pedal effect, is raw

vocals: solo lead male vocalist, clear, sycophantic, and energetic delivery elements with deep, raw, aggressive pitches lead: use of M/S left right stereo image splitting for entire song, includes distorted electric guitar playing power chords; backup: rhythm and bass guitars use left and right panning, drumkit is consistent strong backbeat on the snare, walking bass guitar line, provide solid harmonic foundation, polyrhythmic bass and backup guitar fill, production: wide stereo image, high-energy punk rock track in major key, fast tempo, all instruments clearly audible, live band feel, raw energy, tight musicianship; first movement: rhythmic chords and melodic riffs, often slightly overdriven tone; second movement: chord progression simple and repetitive, catchy and accessible, no complex melodic variations; third movement: build energy and driving feel through repetition and the interplay of the instruments, guitar solo is fast and melodic, utilize Wah pedal effect, is raw

vocals: solo lead male vocalist, clear, sycophantic, and energetic delivery elements with deep, raw, aggressive pitches lead: use of M/S left right stereo image splitting for entire song, includes distorted electric guitar playing power chords; backup: drumkit is strong backbeat on the snare, walking fuzzy bass guitar line, solid harmonic foundation, polyrhythmic bass and backup guitar fill, production: reverse reverb, high-energy garage-punk track in major F# key, fast tempo, all instruments clearly audible, raw energy, tight musicianship; first movement: rhythmic chords and melodic riffs, slightly overdriven tone; second movement: chord progression catchy and accessible melodic variations; third movement: build energy and driving feel through repetition and the interplay of the instruments, guitar solo is fast, melodic and utilizes Wah pedal effect while raw and unpolished

tempo of 60 bpm, vocals are bluesy-jazzy lead singer male/female, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, dropping basslines, steady rhythms and backbone, drum kit kicks, snares, and closed high-hats, rhythm guitar fill; production includes: electric guitar plays finger picking melodies, Wah effect used intermittently, bass and rhythms anchoring the harmonic progression, drums incorporating fills to add dynamics, piccolo and pocket trumpet use expressive phrasing during solos; song structure is a continuous instrumental jam, variations in melody and intensity rather than distinct verse-chorus sections, elements include clear mix with leads prominent in the foreground, suitable for live audience performance, levels adjusted thoroughly throughout song

tempo of 60 bpm, vocals are scroungy male bluesy-jazzy lead singer, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, piccolo, and pocket trumpet laying out swag solos; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for instrumentals, basslines, steady rhythms and backbone, kicks, snares, and closed high-hats, keyboard fill; production includes: electric guitar, piccolo, and pocket trumpet use expressive phrasing during solos; suitable for live audience performance, stereo panning levels adjusted thoroughly throughout song

tempo of 60 bpm, vocals are scroungy male bluesy-jazzy lead singer, leads are a '59 Fender telecaster electric guitar with Huckleberry humbuckers, Wurlitzer 206a, and pocket trumpet laying out swag combos and solos, Moog Matriarch, Subharmonicon, and Minitaur synthesizers channeled in for: instrumentals, basslines, steady rhythms and backbone, kicks, snares, and closed high-hats, production includes: electric guitar, piccolo, and pocket trumpet use expressive phrasing during solos; suitable for live audience performance, wide stereo image, levels adjusted thoroughly throughout song

The song features a consistent tempo of approximately 120 BPM in a major key, likely E major, given the bright and uplifting feel, The instrumentation includes electric guitar, bass guitar, and drums, The electric guitar plays a clean, slightly overdriven melody with a wah-wah effect used intermittently for expressive phrasing, The bass provides a solid, walking bass line, anchoring the harmonic progression, The drums maintain a steady rock beat with a strong emphasis on the snare and kick drum, incorporating fills to add dynamic interest, The song structure appears to be a continuous instrumental jam, with variations in guitar melody and intensity rather than distinct verse-chorus sections, Production elements include a clear mix with the guitar prominent in the foreground, and a moderate amount of reverb on the guitar to give it a spacious feel

The song features a consistent tempo of approximately 120 BPM in a major key, likely E major, given the bright and uplifting feel, The instrumentation includes electric guitar, bass guitar, and drums, The electric guitar plays a clean, slightly overdriven melody with a wah-wah effect used intermittently for expressive phrasing, The bass provides a solid, walking bass line, anchoring the harmonic progression, The drums maintain a steady rock beat with a strong emphasis on the snare and kick drum, incorporating fills to add dynamic interest, The song structure appears to be a continuous instrumental jam, with variations in guitar melody and intensity rather than distinct verse-chorus sections, Production elements include a clear mix with the guitar prominent in the foreground, and a moderate amount of reverb on the guitar to give it a spacious feel

Hammond organ padding Allegretto middle stereo left and right image voluptuous volume juice pumping kicking solo middle of piece movement and outro, Guitar organically moving with the singer energy 130 BPM going off on its own to follow the Oregon center mono stereo image rhythm guitar wide stereo image drums kick drum snare high hat driving the the piece four on the floor, Middle of the road not raspy voice on vocals clear driving well paced having fun vocals, Classic sex '70s and 60s rock HQ FM radio sound, energizing, energetic vibes psychedelic sounds

90-100 bpm, rock bluesy funky roll vocals and guitars, lead '59 telecaster electric guitar doing swag solos, Moog Subharmonicon synthesizer for instrumental flavorings and Moog Minitaur synthesizer for deep bassline with steady rhythms and backbone of movements, drum kit doing steady pickup for song pace with four on floor kicks and funky walking bass guitar fill

The song features a consistent tempo of approximately 90-100 bpm, rock-bluesy-funky-roll vocals and guitars, lead '59 Fender telecaster electric guitar with Huckleberry humbuckers laying out swag solos; Moog Minitaur synthesizer dropping bassline, steady rhythms and backbone, drum kit kicks; walloping bass guitar fill; production includes electric guitar, bass guitar, and drum kit: the electric guitar plays a slightly overdriven melody with a wah-wah effect used intermittently for expressive phrasing, The bass provides a solid, walking bass line, anchoring the harmonic progression, The drums maintain a steady rock beat with a strong emphasis on the snare and kick drum, incorporating fills to add dynamic interest, The song structure appears to be a continuous instrumental jam, with variations in guitar melody and intensity rather than distinct verse-chorus sections, Production elements include a clear mix with the guitar prominent in the foreground, and moderate reverb

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin uses mid and low pitches variably but holds for moments of call response from harmonica, and harmonica solo and backup goes through high mid and low ranges emotionally, use of M/S left right stereo image splitting, mild reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazzy accents from dueling theremin and harmonica, tone is dry, mysterious, wired, fuzzy, and deep, living

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin uses mid and low pitches variably but holds for moments of call response from harmonica, and harmonica solo and backup goes through high mid and low ranges emotionally, use of M/S left right stereo image splitting, mild reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazzy accents from dueling theremin and harmonica, tone is dry, mysterious, wired, fuzzy, and deep, living

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin uses mid and low pitches variably but holds for moments of call response from harmonica, and harmonica solo and backup goes through high mid and low ranges emotionally, use of M/S left right stereo image splitting, mild reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazzy accents from dueling theremin and harmonica, tone is dry, mysterious, wired, fuzzy, and deep, living

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin uses mid and low pitches variably but holds for moments of call response from harmonica, and harmonica solo and backup goes through high mid and low ranges emotionally, use of M/S left right stereo image splitting, mild reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazzy accents from dueling theremin and harmonica, tone is dry, mysterious, wired, fuzzy, and deep, living

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin uses mid and low pitches variably but holds for moments of call response from harmonica, and harmonica solo and backup goes through high mid and low ranges emotionally, use of M/S left right stereo image splitting, mild reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazzy accents from dueling theremin and harmonica, tone is dry, mysterious, wired, fuzzy, and deep, crystalline, living, psychedelic, euphoric

vocals: blues-rockabilly, sycophantic, older male, solo lead vocalist, deep, dry, and low pitch, lead: prominent, hollow-body electric steel guitar, theremin uses mid and low pitches variably but holds for moments of call response from harmonica, and harmonica solo and backup goes through high mid and low ranges emotionally, use of M/S left right stereo image splitting, mild reverb backup: rhythm and bass guitars use left and right panning, steady build and fill, walking the stairs kick drums, plenty of use of hi-hats, snares, deep and somber bass drums, production: wide stereo image, a strong emphasis on rhythmic clarity, more of a building jam movement, high pitch, jazzy accents from dueling theremin and harmonica, tone is dry, mysterious, wired, fuzzy, and deep, crystalline, living, psychedelic, euphoric

Darkcore, doomcore, Industrialized Gothic, Heavy slow deep Bass, Male Vocals, Foley [soundscape is a large breadth of mysteriously pressurized cavernous space] [Intricate electric guitar fingerpicking] [abstract percussive ticking, cryptic scraping, [intermittent metallic striking]

Darkcore, doomcore, Industrialized Gothic, Heavy slow deep Bass, Male Vocals, Foley [soundscape is a large breadth of mysteriously pressurized cavernous space] [Intricate electric guitar fingerpicking] [abstract percussive ticking, cryptic scraping, [intermittent metallic striking]

Darkcore, doomcore, Industrialized Gothic, Heavy slow deep Bass, Male Vocals, Foley [soundscape is a large breadth of mysteriously pressurized cavernous space] [Intricate electric guitar fingerpicking] [abstract percussive ticking, cryptic scraping, [intermittent metallic striking], ‑techno, ‑house, ‑hip-hip

A high-energy build-up swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam gentle, firm, and syncopated; vocals: blues-rockabilly, sycophantic, male lead vocalists, dry, and low pitch; lead: prominent '59 telecaster steel guitar with pickups, hollow-body, and electric; harmonica and pocket trumpet laying out swag combos; use of M/S left right stereo image splitting; backup: rhythm and bass guitars use left and right panning; build-up and fill-in; plenty of use of kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for: instrumentals; bringing deep and somber warped bass patterns; arpeggiated bridging and layers; melodic rhythms and dynamic backbone; phased and filtered; wide stereo image; hard-rock metalcore, resilience, comeback, live audience

A build-up swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam gentle, firm, and syncopated; vocals: blues-rockabilly, sycophantic, male lead vocalists, dry, and low pitch; lead: prominent '59 telecaster steel guitar with pickups, hollow-body, and electric; harmonica and pocket trumpet laying out swag combos; use of M/S left right stereo image splitting; backup: rhythm and bass guitars use left and right panning; build-up and fill-in; plenty of use of kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for: instrumentals; bringing deep and somber warped bass patterns; arpeggiated bridging and layers; melodic rhythms and dynamic backbone; phased and filtered; wide stereo image; hard-rock metalcore, resilience, comeback, for a live audience

A high-energy build-up classic-blues-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build psychedelic atmosphere; leading guitar performs emotional melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam gentle, firm, and syncopated; vocals: blues-rockabilly, sycophantic, male lead vocalists, dry, and low pitch; lead: prominent '59 telecaster steel guitar with pickups, hollow-body, and electric; harmonica and pocket trumpet laying out swag combos; use of M/S left right stereo image splitting; backup: rhythm and bass guitars use left and right panning; build-up and fill-in; plenty of use of kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for: instrumentals; bringing deep and somber warped bass patterns; arpeggiated bridging and layers; melodic rhythms and dynamic backbone; phased and filtered soundscape FX to instrumentation of track

A high-energy build-up classic-blues-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build psychedelic atmosphere; leading guitar performs emotional melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam gentle, firm, and syncopated; vocals: blues-rockabilly, sycophantic, male lead vocalists, dry, and low pitch; lead: prominent '59 telecaster steel guitar with pickups, hollow-body, and electric; harmonica and pocket trumpet laying out swag combos; use of M/S left right stereo image splitting; backup: rhythm and bass guitars use left and right panning; build-up and fill-in; plenty of use of kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for: instrumentals; bringing deep and somber warped bass patterns; arpeggiated bridging and layers; melodic rhythms and dynamic backbone; phased and filtered soundscape FX to instrumentation of track

A high-energy build-up classic-blues-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build psychedelic atmosphere; leading guitar performs emotional melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam gentle, firm, and syncopated; vocals: blues-rockabilly, sycophantic, male lead vocalists, dry, and low pitch; lead: prominent '59 telecaster steel guitar with pickups, hollow-body, and electric; harmonica and pocket trumpet laying out swag combos; use of M/S left right stereo image splitting; backup: rhythm and bass guitars use left and right panning; build-up and fill-in; plenty of use of kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for: instrumentals; bringing deep and somber warped bass patterns; arpeggiated bridging and layers; melodic rhythms and dynamic backbone; phased and filtered soundscape FX to instrumentation of track

A build-up swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent '59 telecaster steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting; backup rhythm and bass guitars use left and right panning; build-up and fill-in; kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for phased and filtered instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once

A build-up swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent '59 telecaster steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting; backup rhythm and bass guitars use left and right panning; build-up and fill-in; kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for phased and filtered instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once

A high energy build-up classic-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting; backup rhythm and bass guitars use left and right panning; build-up and fill-in; kick drums, hi-hats, and snares; Moog Subharmonicon, and Minitaur synthesizers for instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once, tower of power sound swelling up from beneath and coming down from above

A high energy build-up classic-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting for backup rhythm and bass guitars; build-up and fill-in; kick drums, hi-hats, and snares; Moog Subharmonicon, and Minitaur synthesizers for instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once, tower of power sound swelling up from beneath and coming down from above; levels adjusted well

A high energy build-up classic-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting for backup rhythm and bass guitars; build-up and fill-in; kick drums, hi-hats, and snares; Moog Subharmonicon, and Minitaur synthesizers for instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once, tower of power sound swelling up from beneath and coming down from above; levels adjusted well

A high energy build-up classic-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting; backup rhythm and bass guitars use left and right panning; build-up and fill-in; kick drums, hi-hats, and snares; Moog Subharmonicon, and Minitaur synthesizers for instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once, tower of power sound swelling up from beneath and coming down from above; levels adjusted well

A high energy build-up classic-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting; backup rhythm and bass guitars use left and right panning; build-up and fill-in; kick drums, hi-hats, and snares; Moog Subharmonicon, and Minitaur synthesizers for instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once, tower of power sound swelling up from beneath and coming down from above; levels adjusted well

A high energy build-up classic-swamp-rock-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent '59 telecaster steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting; backup rhythm and bass guitars use left and right panning; build-up and fill-in; kick drums, hi-hats, and snares; Moog Matriarch, Subharmonicon, and Minitaur synthesizers for phased and filtered instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock metalcore, resilience, comeback, three voices at once

A high energy build-up classic-swamp-rockabilly-metal-fusion; primarily a high tension release jam underlaid by loop-based structure; gradual introductions build atmosphere; leading guitar performs melodic solos; rhythm bass guitars are deeply layered; drums (kick, snares, and hi-hats) move jam firm and syncopated; blues-rockabilly, sycophantic, male lead vocalists have dry and low pitch; lead prominent steel hollow-body guitar with pickups; harmonica laying out jazzy combos; use of M/S left right stereo image splitting; backup rhythm and bass guitars; build-up and fill-in; kick drums, hi-hats, and snares; Moog Subharmonicon, and Minitaur synthesizers for instrumentals, bringing deep and somber warped bass patterns, arpeggiated bridging and layers, melodic rhythms and dynamic backbone; wide stereo image; hard-rock, metalcore, resilience, comeback, living, illusion; tower of power sound swelling up from beneath and coming down from above; levels adjusted thoroughly through track