4:53

rock, mystic, bass-boosted, mid-tempo, orchestral rock, wild
3:41

Nie som Bonobo
v4.5
punk rock, rebellious, aggressive, raw, energetic, edgy vocals, anthemic chorus
inspired by The Exploited, Kamelenon punk style
persona: Teenager
tempo: 180 BPM
guitar style: sharp, distorted rhythm, fast power chords
bass: gritty, follows guitar tightly
drums: tight, fast snare patterns with crash-heavy chorus
vocals: raw male voice, shouted with sneering tone, Slovak accent preferred
mood: ironic, bold, lustful, chaotic but structured
structure: verse / pre-chorus / anthemic chorus / post-chorus / guitar solo / outro
FX: occasional reverb slapback on vocals, slight flanger on guitar solo
tags will be included in lyrics for structural cues
3:13

[Style: FEMALE VOX (Echoflux-07: raw, powerful, soulful rock vocals with punk grit & moments of soaring, almost operatic despair, echoing a classic tragic heroine); RIOPLATENSE BIKER PUNK-ROCK-FUNK-SKA ANTHEM (Molotov/Skindred/Disturbed/ACDC energy with deep funk groove), EDR's SIGNATURE TRIBAL-TECHNO-ELECTRONIC DRUMS (insane Candombe/Industrial/Metal, heavy on old barrels, chains, cowbell, with XION's HARMONICA BEATBOX seamlessly integrated), HEAVY DISTORTED GUITAR RIFFS (classic rock/metal/punk), DEEP P-FUNK BASS (driving, hypnotic), WEEPING/RAGING ACCORDION/BANDONEÓN (tango/folk lament & punk aggression), SOULFUL BLUES HARMONICA (XION's signature), CHIPTUNE ACCENTS, Massively viral, unforgettable, headbanging, pogo-inducing, open-road, dive-bar singalong BANGER with deep, tragic lyrical metaphors, ~135 BPM]
2:51

[Style: IDOL POP (Female Vox: sweet high notes THEN POWERFUL rock grit, simple Japanese phrases; Male Vox: soulful low harmonies/wise street prose adlibs), UPLIFTING 90s SKA-PUNK-FUNK ANTHEM (cult classic hit energy, unique blend), RETRO-TECH TRIBAL-ELECTRONIC DRUMS (syncopated Candombe/Funk/Breakbeat, EDR-like signature), SPRINGY GROOVY BASS, BRIGHT SURF/SKA GUITARS, CELEBRATORY BRASS, CATCHY retro SYNTHS, SUBTLE GLITCHES, Irresistible viral rebellious dancefloor JOY, ~130 BPM]
6:19

3:22

Chaotic modern future funk with heavy anime influence, fast-paced funky basslines, disco guitar chops, shimmering synth stabs, and retro arcade samples, [Intro] starts with chopped vocal glitches and ambient tape hiss, [Verse 1] jumps in with energetic drum loops, slap bass, and lo-fi brass hits, with playful, high-pitched female vocals in anime style, [Pre-Chorus] adds warped sound effects, off-beat claps and vocal layering for surreal humor buildup, [Chorus] bursts with hypercatchy hooks, overmodulated synths, filter sweeps, and chopped breakbeats, [Verse 2] gets more chaotic with pitch shifting, vocal fry, glitch FX, and fake adlibs, [Bridge] is robotic and dry like system error, [Final Chorus] doubles tempo, stacks chaotic loops and vocal FX, ending in wild repetition and glitch out, Overall: absurd, bouncy, bright, and unhinged, [Loudness set -12 LUFS]
2:54

R[Style: MALE VOX (deep narrative gravitas THEN shapeshifting to raw street rock/soulful funk/high-energy pop precision & theatrical scat); RIOPLATENSE INDUSTRIAL PUNK-ROCK POLKA-SKA-TANGO-CANDOMBE ANTHEM (Disturbed/Korn power + Cab Calloway/Los Piojos/Jarabe de Palo diverse energy), TRIBAL-TECHNO-ELECTRONIC DRUMS (insanely catchy Candombe/Russian Folk/Industrial Polka fusion, heavy glitch, EDR-like signature power & rhythmic complexity, prominent COWBELL & OLD BARRELS), WEEPING/RAGING ACCORDION/BANDONEÓN (lead tango-polka hooks), SOULFUL BLUES HARMONICA, GRITTY CRIQOLLA GUITAR, DEEP P-Funk BASS, quirky SYNTH HOOKS, Massively viral, unforgettable, brain-circuit-breaking, disgustingly commercial yet intellectually sharp, stadium-chanting, bar-brawling, church-swaying dancefloor BANGER, ~140 BPM, schizophrenic dynamics]
4:22

Folk black metal, folk black metal, folk elements and instruments, folk, folk, black metal, Atmospheric Pagan Folk Black Metal, flute, flute, flute, violin, violin, violin, atmospheric, pagan, folk black metal song, upbeat, happy
2:34

A frenetic Electro-Swing Cosmic Punk track kicks off with jazzy accordion, record scratches, and exaggerated French-accented crooning, The chorus erupts with punk guitars, 8-bit bursts, and Auto-Tuned sass, flipping to mass chant hype over didgeridoo bass, rave percussion, and stadium shouts, Glitchy synths fragment into a warped "Sacrebleu!" accordion coda, doused with boomerang wooshes, pixel jumps, and reverbed “STAR ROO SQUAD” echoes
4:37

誰にも届かぬ痛み
v4.5
female vocal, punk, punk rock, pop punk, tempo:160–180 BPM, feMale, raspy and emotional, Vocals like shouting, catchy melody voice while choruses build to an explosive, dramatic peak, raw catchy melody, female vocal, (that build into exquisite, At its peak, voice raw, dramatic explosive in the female choruses)
3:17

reggae punk rock, soulful reggaeton afrobeat, male main baritone vocalist, playful, energetic, vibrant, trombone chiptune heavy bass, heroic, uplifting, boogie woogie organ, majestic orchestral violin sections, victory fanfare trumpets, rap, r&b, gospel, duet, choir, edm, glitch hop, infectious, anthemic, catchy
2:14

viral song
v3.5
pop punk, novelty rap, comedy rock, comedy rap rap battle, pop punk, emo, pop punk, emocore, spoken word, experimental, electric guitar riff, catchy riff, chugging guitar nu metal, geek rock, nerdcore
2:16

3:04

3:10

A hypnotic, groove-driven alt-art-pop track blending tight post-punk rhythm with playful electronic textures and funky minimalism, Elastic basslines lock into off-kilter drum loops, while choppy clean guitars add a nervous, syncopated edge, Glitchy synths, analog blips, and sample-based FX create a surreal, collage-like atmosphere, Male vocals are delivered in a cool, talk-sung style — dry, detached, and rhythmically phrased — with absurdist, looping lyrics that feel like a dream in transit, The vibe is twitchy, stylish, and weirdly catchy — like a late-night train ride through a vending machine full of broken instructions, Minimalist yet layered, abstract but infectious, Built for head-nodding, toe-tapping, and unexpected sonic turns
2:52

3:58

2:47






















