2:55

Sweet On The Surface
v4.5-all
Indie-pop tension with female vocals; tight, dry drums and a rubbery bass groove, muted palm‑mute guitar in the verses, Chorus widens with bright synth pads and stacked harmonies that lean into the sarcasm, Bridge drops to half‑time with filtered drums, then snaps back to full energy for the final hook, Slightly snarky, slightly sweet, very hook-focused, female vocals
3:35

Our Song
v4.5-all
Bouncy pop duet with male and female vocals trading playful lines; bright acoustic guitar and claps over a tight drum groove, synth bass rounding the low end, Verses feel like a schoolyard chant, pre-chorus adds stacked harmonies and rising pads, chorus explodes with gang vocals and a big, shout-along hook, Brief middle break with call-and-response ad-libs, crisp and radio-ready
3:13

Knife Behind Your Back
v4.5-all
Moody alt-pop ballad with male vocals; close-mic’d piano and soft, saturated drums in the verses, bass blooming on the downbeats, Chorus lifts with airy pads and stacked harmonies, subtle reverse FX between phrases, Bridge strips to piano and vocal before a final, wider chorus with a slight tempo push and reverb tail on the last word
4:03

Hold Me to My Word
v4.5-all
Warm indie-pop ballad with intimate male vocals, close-miked acoustic guitar, soft piano pads, First verse sparse and fragile; drums bloom in the first chorus with brushed snare and subtle bass, Second verse adds light electric guitar swells and harmonies, Bridge strips back to vocal and guitar before a final, bigger chorus with stacked vocals and a lingering reverb tail
2:17

Grow Up Like Me
v4.5-all
Glossy midtempo pop with crisp drums, warm synth pads, and clean electric guitar chops; verses keep a tight, almost spoken cadence, then the chorus blooms with stacked harmonies and bright top-line hooks, Sub-bass stays soft but steady, with a middle-eight drop to filtered vocal and claps before a final, triumphant hook
3:04

I Don’t Care About Your Life
v4.5-all
Glossy electro-pop with sharp, punchy drums and rubbery bass, bright synth stabs in the verses that bloom into a big sugary chorus, Female vocals: cool, detached on the verses, then bold and hooky on the refrain with stacked harmonies, Short distorted vocal chops answer key phrases, and a crunchy fuzz guitar doubles the chorus melody for extra bite, female vocals
3:46

Hunted To Hunter
v4.5-all
Anthemic alt-pop with female vocals: muted palm‑muted guitar and tight drums in the verses, subby bass and bright synth pads lifting into a huge hook, Pre-chorus adds rising toms and stacked harmonies; chorus explodes with chanty gang vocals and a soaring top line, Bridge strips to vocal, claps, and bass before final chorus hits harder with ad‑libs and octave-doubled lead, female vocals
3:05

Soon Never Comes
v4.5-all
pop, Soft-gloss pop ballad over muted drums and warm synth pads; verses stay intimate with close-mic vocal and subtle piano, chorus blooms with stacked harmonies and airy guitars, Gradual build each chorus, last hook adds high counter-melody and gentle toms for emotional lift, then pull back to near-a cappella for the final line
3:28

Left Me On Read
v4.5-all
Moody alt-pop ballad over sparse warped keys and deep sub-bass, Intimate female vocals start close-mic and fragile, then swell with stacked harmonies in the chorus, Minimal clicky percussion and filtered drums creep in by Verse 2; bridge strips down to almost a cappella before a final, bigger chorus with distorted backing vocals and a lingering synth pad tail
3:13

Just Friends, Deal With It
v4.5-all
pop, Bright pop duet with male and female vocals trading lines; tight acoustic guitar and bouncy drums under a catchy, syncopated groove, Verses stay light and conversational, pre-chorus adds rhythmic claps and rising synth pads, chorus explodes with stacked harmonies and a hooky top-line, Bridge strips to guitar and soft keys before a last, full-band chorus, male vocals
5:35

Best Friends, Not a Love Song
v4.5-all
Bright, punchy K-pop with trading male/female vocals; bouncy synths, snappy drums, and playful call‑and‑response, Verses stay tight and rhythmic, pre‑chorus adds rising pads and claps, chorus explodes with stacked harmonies and a hooky gang vocal, Middle 8 strips to bass and vocal chant, then full-band hit for the last chorus
4:58

You’re Teaching Them Our Tricks
v4.5-all
Intimate acoustic duet, male and female vocals trading verses, Fingerpicked guitar with a fragile, Fiona Apple–style intro that swells into strummed, percussive choruses, Subtle piano doubles key emotional phrases; choruses bloom with stacked harmonies and a low, pulsing bass, then drop back to bare guitar on the bridge for maximum gut-punch, male vocals, sad, female vocals
