3:37

七つの刃、七つの女
v4.5-all
rap, Dark, cinematic boom-bap with female rap vocals; taiko-inspired toms and sharp snares, eerie koto and shamisen plucks looping under gritty sub-bass, Verses stay tight and percussive, close-mic’d and slightly distorted; hook explodes with stacked gang vocals and echoing chants, Occasional reverse-cymbal swells and temple bell hits mark transitions, ending with a stark a cappella chorus line
4:20

魂の奥底で激しい戦いが続いている
v4.5-all
melancolic, sad bass beat, accoustic guitar, style faded par alan walker, voix super douce, un peu enfantine, country, ne crie jamais, toujours doux
4:32

流れる空 Kū no nagare2
v4.5-all
Intro mystérieux construit sur des cordes graves, timbales et synthés sombres, Strophe mêlant guitare électrique saturée, nappes électro pulsées et cordes, soutenant une voix féminine ample, Le refrain explose avec chœurs masculins graves, rythmique puissante, orchestrations dramatiques et couches électroniques, Pont orchestral intense, suivi d’une envolée rock, Final sur un crescendo mêlant tous les éléments pour une texture dense et cinématographique
3:10

Magi Blue, la femme-papillon
v4.5-all
rap, Ethereal French pop with female vocals, opening on a frantic, strings-led motif à la “Flight of the Bumblebee” before melting into soft, airy keys and subtle bass, Verses float on brushed drums and shimmering pads; chorus doubles the vocal with tight harmonies, fast staccato strings circling underneath, Rap section flips into aggressive, syncopated drums and distorted low synths while strings chop short, then everything returns to a dreamy, weightless coda, chanson
3:16

Toutes choses vides
v4.5-all
rap, Boom-bap rugueux, samples de voix chuchotées et textures granuleuses; kick précis, caisse claire sèche, basse ronde, Deux MCs, française puis japonaise, se répondent en stéréo, avec quelques chœurs graves sur les punchlines, Ambiance cérébrale, quasi parlée en couplets, puis flow plus mélodique au refrain, léger delay sur les fins de phrases, mix centré sur la diction, chanson
3:24

Toutes choses vides (cover)
v4.5-all
Intimate acoustic chanson with a single female vocalist and nylon-string guitar; warm close-mic voice, soft fingerpicked patterns, subtle dynamic swells, spacious room reverb, storytelling focus on lyrics and phrasing, gentle melodic flow between spoken-word cadence and sung refrains, additional soft female backing voice that echoes each French line with a delicate Japanese translation, layered bilingual texture, meditative cross-cultural atmosphere
3:47

すべては空っぽ (Toutes chose vides)
v4.5-all
Intimate acoustic chanson with a single female vocalist and nylon-string guitar; warm close-mic voice, soft fingerpicked patterns, subtle dynamic swells, spacious room reverb, Japanese lead vocals with French hook line, poetic introspective delivery, gentle melodic flow between spoken-word cadence and sung refrains
3:38

Le Bateau de Personne
v4.5-all
rap, Moody philosophical rap duet over sparse handclap groove; male and female vocals trading lines, Ocarina flute brings a fragile, airy top line, cello holds a dark droning pulse with occasional melodic runs, triangle accents on downbeats, Verses stay intimate and spoken-close, choruses open with layered call-and-response and light reverb, energy rising then dropping to near a cappella for the final lines, cello
3:40

Gong Intérieur
v4.5-all
Slow-bloom ambient folk with twin male-female vocals in unison, deep gong pulse anchoring tempo, Clean guitar plays open, spacious chords, reverb-drenched; airy “ommm” choir beds swell under each line, Dynamics rise gently in the choruses with stacked harmonies, subtle pads, and a soft sub to cradle the voice; final refrain fades into near-silence and lingering overtones
3:08

Cartes qui s’effacent
v4.5-all
Intimate French chanson with female vocals over delicate fingerpicked guitar and warm cello swells; verses stay hushed and close-mic’d, almost spoken, then the chorus opens with wider vibrato and bolder harmonies as the cello rises, Subtle dynamic arc: start fragile and sparse, build to a bittersweet, questioning peak in the bridge, then return to a near-whispered final chorus and a lingering instrumental outro, chanson
4:44

La Beauté des Bilans
v4.5-all
rap, Angular boom-bap with crisp quantized drums, tight syncopated hats, and calculator click samples chopped into a percussive loop; round subby bass glues everything, Male vocals switch between staccato, cerebral rap in the verses and a melodic, soaring hook, Mid-track clarinet solo spins a knotty, jazz-inflected motif over a stripped groove before the full beat slams back in for a final, uplifting chorus about the elegance of numbers
3:53

“Ce que Dieu a dit”
v4.5-all
Voix de femme tres douce
la priere Notre pere a la fin et un chorus
musique d'église avec une touche, techno, electro dark, reggae, la priere est un slow rap
rajouter periodiquement la phrases :mais délivre‑nous du mal, en back vocal pendant la chanson, rajouter des chorus en final (fade out)
2:51

3:22

3:10

2:42

A high-energy alternative rock track featuring powerful female vocals and a driving, distorted guitar-led arrangement, The song opens with a moody, atmospheric synth pad and a clean electric guitar melody before exploding into a heavy, syncopated drum beat and thick, overdriven bass, The vocal performance is dynamic, shifting from breathy, emotive verses to soaring, belted choruses with a slight rasp, The production is polished and modern, utilizing side-chain compression on the synths and a wide stereo field for the layered guitars, The tempo is approximately 140 BPM in a 4/4 time signature, set in a minor key to enhance the dark, dramatic mood, The structure follows a standard verse-chorus-verse-chorus-bridge-chorus format, with a breakdown section featuring vocal ad-libs and rhythmic synth pulses
4:00

Lucky Solitude
v4.5-all
solitude, riffs mélodiques, rythme mathématique, [basse électronique profonde] [couches harmonisées
4:42

Akrasia's lament (cover)
v4.5-all
solitude, riffs mélodiques, rythme mathématique, [basse électronique profonde] [couches harmonisées
3:41

6-7 choses que l’Éternel déteste
v4.5-all
crescendo progressif, synthés euphoriques, pop ballade, darkcore, rap
3:04

Rivière en mouvement
v4.5-all
rap, Minimal zen groove with brushed percussion and soft sub, airy bamboo flute motifs weaving around alternating male rap and gentle female hooks; verses sit close and intimate, chorus opens with lush reverb and stacked female harmonies, energy rising in subtle waves while the beat stays calm and centered, male and female vocals trading lines like call-and-response over a warm, meditative soundbed, vocal
4:25

epic, anime, style, psychedelic electric, WOOF sound when they say World United Force WOOF! catchy rift hooks
5:15

Wufウウフ。(générique)
v4.5-all
戦界突軍 ~ World United Force, démon, high-energy fast-paced eurobeat, classical, crystal clear, bass
4:55

Cheval de Hans, Chien de Pavlov
v4.5-all
rap, Slow acoustic guitar and warm upright bass under intimate dual female vocals; verses flip into close-mic rap with soft rim-clicks and subtle brush snare, then bloom into a sung hook with airy harmonies, Dynamics stay restrained but tense, with occasional reverb swells and whispered ad-libs to underline the scientific and historical angles, sublime
3:57

3:50

Moonlight 50
v4.5-all
jazz, Slow-tempo electro swing bed built from brushed kicks, upright bass, and muted horn stabs under intimate female vocals, Ukulele and piano carry the harmonic core with circling motifs; flute weaves countermelodies around the topline, Verses stay hushed and confessional; choruses bloom with layered harmonies, widened pads, and thicker swing groove while keeping a warm, dark, atmospheric feel, warm, gentle, beats, electro swing, soft, ukulele, ambient, slow, female vocals
6:22

Deep bass, douce musique de piano, traditional Japanese sounds
3:30

StickShadowParralax
v4.5-all
soft voice hip hop, heavy drum and bass, classical, piano (same notes)
3:27

Feuille qui part...
v4.5-all
[Folk québécois acoustique, style Beau Dommage / Michel Rivard, 1970s Québec folk-rock]
Acoustic guitar fingerpicking lent, guitare ouverte, harmonies vocales riches et chaleureuses, voix masculine grave et nasillarde, un peu rauque comme Rivard, pas de batterie lourde, juste percus légères ou pas du tout, Tempo lent à moyen, 80-100 bpm, mélancolique mais doux, storytelling intime, ambiance rivière calme, Montréal automne, Vocaux en français, refrain qui respire, pas d'effets électroniques
3:34

Afure Kiete 。溢れ 消えて
v4.5-all
[Folk acoustique québécois des années 70-80, style chanson française intimiste et poétique du Québec]
Guitare acoustique fingerpicking lent et ouvert, accords simples qui tournent (Am-G-F-C), voix masculine grave, un peu nasillarde et chaleureuse, avec un léger vibrato naturel, harmonies vocales discrètes en arrière-plan comme des chœurs d'amis, Pas de batterie, pas d'électro, juste guitare et voix qui respirent, Tempo tranquille 80-90 bpm, ambiance automnale, rivière qui coule, textes qui racontent la vie ordinaire avec humour doux et mélancolie légère, Vocaux en français québécois, refrain qui reste en tête sans forcer, comme un murmure qu'on fredonne seul, Use chord progression: Am - G - F - C repeating, fingerpicking style, no drums, no synth
3:54

Trinity Pulse
v4.5-all
cosmic ambient electronic, introspective spoken rap, spacey synth pads, drone undertones, minimal percussion, meditative flow, starry reverb, slow pulse, dreamy hip-hop fusion, atmospheric
5:03

Alienation (We Are the)
v4.5-all
Genre] horrorcore rap, [Production] heavy distorted 808 mega bass, sinister carnival organ riffs, warped circus melodies, creepy scratches, reversed effects, low eerie synths, booming drums, occasional muffled clown laughs and hee-hee echoes, dark ambient undertones, gritty lo-fi horror mix
[Vocal Style] aggressive male/female rap duo, iclownish delivery, call-and-response hooks, raspy intense verses, layered eerie vocals for the twist parts, [Tempo] 85-95 BPM, mid-tempo storytelling flow, slow build to intense hook, Repeating circus motifs : warped carnival organ loop, catchy repetitive hook with hee-hee and whoop whoop!
4:46

Alien’s Nation, Alienation
v4.5-all
rap, Dark electro-techno horror rap with female vocals; sub-heavy, forceful kicks and shifting polyrhythms under a cold, sawtooth bass, Verses delivered as tight, percussive rap over sparse, eerie synth stabs; hooks bloom with layered whispered doubles and distorted screams, Arrangement swings between claustrophobic drops and explosive percussive hits, building a cinematic sense of dread, control, and uprising, rhythmic, beats, electro, techno, complex, vocal, deep
2:47

溢れ 消えて (Afure Kiete)
v4.5-all
Rave, females, percussive, heavy hard bass, hip hop, finger picking, beautiful, hard drums
4:08

TOOLBOX! ツールボックス
v4.5-all
deep drum, deep bass pulses, heroic themes, techno, j-pop style, dark cyberpunk
3:56

j-pop, anime rock, hybrid pop rock, synth lead solo, bass riff ostinato, tom-heavy drums, gated snare, layered guitar countermelody, string pad accents, chorus stack hits, progressive canon, looped note motif, half-time breakdown, tempo shifts, bright to dark arc, anthem build, punchy low end, stereo delay, cinematic climax
5:52

Dark cinematic apocalyptic song, smooth zen-dark beat 88-95 BPM, heavy warm bass, eerie ambient pads, shakuhachi, deep gong hits, distorted soft drums, Emotional soft female lead vocals with female ethereal whisper/harmony in the background, Very clear Japanese pronunciation, "
5:29

Riftbreakers II – Bleed Eternal
v4.5-all
J-pop / Anime Rock hybride
Synth lead solo plus agressif et mélancolique
Bass riff ostinato encore plus lourd
Tom-heavy drums + gated snare encore plus présents
Layered guitar countermelody + string pad accents sombres
Progressive canon entre les voix
Half-time breakdown avec growls et whispers
Tempo shifts (vers 148→132 BPM puis explosion finale)
Bright-to-dark arc encore plus marqué
Cinematic climax avec chœurs massifs
5:06

J-pop, melodic rap, female vocals, breathy lead, whispered intro, stacked harmonies, Japanese ad-libs, French code-switching, halftime drum groove, crisp snare, subless kick, electric piano chords, nylon-string guitar, orchestral stabs, plate reverb, wide stereo chorus, analog saturation, bittersweet nostalgia, nightfall resolve




