3:04

Again
v4.5
Create a slow, traditional country song in the neotraditional style of the late 80s and early 90s, The instrumentation should include acoustic guitar, pedal steel, stand-up bass, light drums with brushes, and subtle fiddle swells, The pacing is steady and unhurried, evoking the feel of classic heartbreak ballads played in a smoky honky-tonk, The vocals should be warm, masculine, and twangy, with a baritone-to-tenor range that uses controlled vibrato on emotional lines, The singing style should lean into emotional restraint, with vulnerability coming through in the cracks, Think slow drawl on phrases like “again” and slightly broken tones on heartfelt confessions, Background vocals can be minimal — maybe just a single harmony line echoing the final word of the chorus, The tone should be melancholic, sincere, and weary, with a final acceptance of emotional defeat
2:56

In My Face
v4.5
Create a slow, stripped-down modern country ballad with a raw, heartbroken feel, Use a young male vocal that’s vulnerable, raspy, and cracked, especially on emotionally heavy lines, Start with gentle acoustic guitar picking—close and intimate in the mix—then gradually layer in soft steel guitar, subtle low-end bass, and minimal percussion, like brushed drums or even just foot taps, Keep the atmosphere bare and emotionally exposed, with plenty of space between phrases to let the silence hurt, The sound should be full of ache, regret, and quiet desperation, with a pacing that’s unhurried and conversational, No polish, no overproduction—just pure, honest sorrow from someone still in love with someone who's moved on
4:39

Create a slow, heart-wrenching country ballad built around warm acoustic guitar, gentle steel guitar slides, and a mournful fiddle weaving softly through the mix, Keep percussion light and minimal — mainly soft brushes or rim taps — to let the vocals and lyrics lead, The male vocal should sound young, Southern, and vulnerable, with a natural rasp and cracked tone on the most emotional lines, Think a tender front-porch delivery, like someone trying to stay composed while reliving heartbreak, The arrangement should leave space between phrases, allowing the emotion to breathe, Lyrically, it’s about self-respect and sorrow — a man refusing to be used as a rebound, Maintain the emotional build across the verses and choruses, but never lose the raw, stripped-back simplicity that makes it intimate and real
4:24

Gloomy
v4.5+
Create a slow, intimate modern country heartbreak song, The vocals should be delivered by a young male singer with a Southern twang, and a raspy, weathered tone that cracks naturally at emotional moments, His delivery should feel conversational, heartfelt, and unpolished—like he’s singing alone on his porch late at night, Use minimal instrumentation, led by acoustic guitar fingerpicking or light strumming, supported softly by occasional slide guitar and sparse brush drums for texture, No full band swells or layered production—keep it raw, quiet, and personal, just enough to let the lyrics breathe, The overall vibe should feel like a one-take performance, with space between the words and a tempo that mirrors the weight of regret, Perfect for fans of stripped country storytelling
2:43

Create a fast tempo pop track with a hint of country, male vocals, catchy hooks, electric guitars, upbeat drums, and storytelling lyrics about love, regret, and growing up fast
3:04

Create a slow, traditional country song in the neotraditional style of the late 80s and early 90s, The instrumentation should include acoustic guitar, pedal steel, stand-up bass, light drums with brushes, and subtle fiddle swells, The pacing is steady and unhurried, evoking the feel of classic heartbreak ballads played in a smoky honky-tonk, The vocals should be warm, masculine, and twangy, with a baritone-to-tenor range that uses controlled vibrato on emotional lines, The singing style should lean into emotional restraint, with vulnerability coming through in the cracks, Think slow drawl on phrases like “again” and slightly broken tones on heartfelt confessions, Background vocals can be minimal — maybe just a single harmony line echoing the final word of the chorus, The tone should be melancholic, sincere, and weary, with a final acceptance of emotional defeat
2:56

Create a slow, stripped-down modern country ballad with a raw, heartbroken feel, Use a young male vocal that’s vulnerable, raspy, and cracked, especially on emotionally heavy lines, Start with gentle acoustic guitar picking—close and intimate in the mix—then gradually layer in soft steel guitar, subtle low-end bass, and minimal percussion, like brushed drums or even just foot taps, Keep the atmosphere bare and emotionally exposed, with plenty of space between phrases to let the silence hurt, The sound should be full of ache, regret, and quiet desperation, with a pacing that’s unhurried and conversational, No polish, no overproduction—just pure, honest sorrow from someone still in love with someone who's moved on
4:24

Create a slow, intimate modern country heartbreak song, The vocals should be delivered by a young male singer with a Southern twang, and a raspy, weathered tone that cracks naturally at emotional moments, His delivery should feel conversational, heartfelt, and unpolished—like he’s singing alone on his porch late at night, Use minimal instrumentation, led by acoustic guitar fingerpicking or light strumming, supported softly by occasional slide guitar and sparse brush drums for texture, No full band swells or layered production—keep it raw, quiet, and personal, just enough to let the lyrics breathe, The overall vibe should feel like a one-take performance, with space between the words and a tempo that mirrors the weight of regret, Perfect for fans of stripped country storytelling
2:43

Create a fast tempo pop track with a hint of country, male vocals, catchy hooks, electric guitars, upbeat drums, and storytelling lyrics about love, regret, and growing up fast
3:12

Create a slow-paced, emotionally raw acoustic country song, The vocals should be performed by a young male singer with a Southern twang, delivered in a raspy, broken tone—as if he's barely holding it together, His voice should stay soft, never rising in volume, and should crack gently during the most emotional lines, Think front porch heartbreak, not stadium anthem, The arrangement must remain simple and intimate the entire time, Feature only a single acoustic guitar, lightly strummed or fingerpicked, with no added instruments or layering—no drums, no bass, no fiddle, no swelling choruses, Leave space in the mix for silence and breath, Keep the tempo unrushed, allowing each word to land with emotional weight, The song should sound like a one-mic live recording, full of imperfection and heart
3:49

Nobody
v5
Mid-tempo country-rock track around 95 BPM with a clear, hook-driven electric guitar riff as the backbone — thick overdriven tone with attitude, repeating through verses and chorus, The riff should be instantly memorable, sitting slightly ahead of the beat to pull the groove forward, Backed by a clean rhythm guitar for texture, steady electric bass, and dry, punchy drums with rim clicks on the verses and a tight snare in the chorus, Male lead vocal in a low-to-mid range, firm and unpolished, carrying quiet conviction, Background vocals use a loose doo-wop style — “oohs, ” “ahhs, ” and short call-and-response phrases that echo or emphasize key lines, layered tight and mixed warm, not sweet, Add subtle organ pads for glue and light room reverb to keep it live, The vibe: country grit with vintage swagger — barroom energy, timeless rhythm, real emotion under a confident groove
4:39

Mid-tempo classic country ballad (around 84 BPM) with a clean, polished 1990s Texas sound, Rhythm built around acoustic guitar strumming in 4/4, accented by a bright telecaster electric guitar playing tasteful fills and light twang between vocal lines, Add pedal steel guitar for warmth and emotion, electric bass holding steady root motion, and brush or light stick drums keeping a relaxed backbeat, Piano can double chords softly under the chorus for fullness, Lead vocal: male baritone, smooth and rich, conversational but emotionally grounded — clear tone with natural twang and light vibrato on sustained notes, Background vocals: tight country harmony, one or two singers doubling key phrases in the chorus, mixed close and balanced, Production should sound warm, analog, and true to live studio playing — minimal reverb, wide stereo guitars, gentle compression, Mood: romantic, heartfelt, and unpretentious — a straight-talking country love song sung by someone who’s lived it, not selling it
3:09

Create a slow, traditional country song in the neotraditional style of the late 80s and early 90s, The instrumentation should include acoustic guitar, pedal steel, stand-up bass, light drums with brushes, and subtle fiddle swells, The pacing is steady and unhurried, evoking the feel of classic heartbreak ballads played in a smoky honky-tonk, The vocals should be warm, masculine, and twangy, with a baritone-to-tenor range that uses controlled vibrato on emotional lines, The singing style should lean into emotional restraint, with vulnerability coming through in the cracks, Think slow drawl on phrases like “again” and slightly broken tones on heartfelt confessions, Background vocals can be minimal — maybe just a single harmony line echoing the final word of the chorus, The tone should be melancholic, sincere, and weary, with a final acceptance of emotional defeat
3:02

4:07

Modern sad country ballad with a stripped, intimate production, Acoustic guitar leads the song with slow, steady strumming, supported by subtle electric guitar swells, soft steel guitar lines, and minimal drums that don’t come in heavy—just enough to breathe, Warm, melancholic tone throughout, never upbeat, Male lead vocal is young, earnest, and emotionally restrained, singing like he’s holding it together rather than breaking down, Chorus should feel resigned and heavy, not dramatic—sadness carried in simplicity, Overall mood is quiet heartbreak, small-town betrayal, and lonely acceptance, built for late-night listening with space between the notes
2:27

2:12

