4:17

3:51

The Quiet Eats Me
v4.5-all
The track opens with tanbur and hand pan textures, gradually joined by ambient synthwave pads and upright bass, A groove fuses afrobeat, modern dancehall, and 90s R&B, underpinning melodic piano hooks and disco 90's synth leads, Russian shanson brass and orchestral swells add drama, while triplet drill bass and hard base amplify punky, political energy, Smooth jazz elements interweave with gritty folk guitars and sierreño arpeggios, as melodic hooks and a bright lo-fi groove shine through, Verses alternate family-like sassy duets: deep female vocal, low gritty harmonies, and dirty falsetto with scoop, Medieval and Celtic metal tinges build toward anthemic rock-rap and EDM drops, with dynamic raps, power operatic flourishes, and melodic trills, A sunny breakdown unites male and female voices in a bold, orchestral pop chorus before fading into a gentle ambient outro
2:28

Y2K Futurism
v4.5+
High-Octane Frutiger Aero Phonk, 160 BPM, liquid jersey club beat, aggressive distorted 808s over airy bossa nova chords, Wii U menu ambiance, soda pop fizziness, sparkling aquatic synths, glitchcore stuttering, complex breakcore drum fills, pitched-down Memphis rap layered with saccharine K-Pop vocal chops, high-gloss complextro textures, abrasive digital grit, nostalgic 2000s electronics, crystal-clear water droplets, hyper-kinetic and neon
3:17

3:19

Eurodance, Synthwave fusion, punchy 90s beats, atmospheric pads, retro-futuristic vibes, glitchy textures, driving basslines
4:01

Airy synth pads and gentle electronic percussion open the J-Pop track, with layers of delicate piano and subtle guitar accents shaping an ethereal texture, The clean female vocals float atop this soundscape, expressing a lamenting tone, Lush harmonies support the soaring chorus, while reverb-drenched interludes and ambient transitions sustain the atmospheric feel throughout
5:27

Style: Industrial Reggae Metal Dub — dark, militant, syncopated, ritualistic
Vocals: Male, deep and raspy, Jamaican accent with militant phrasing, half‑toasting, half‑growl
Lead: Distorted electric guitar riffs + offbeat reggae guitar chop + industrial synth stabs
Rhythmic: Heavy trip‑hop/industrial drum loops fused with reggae snare chops, militant fills
Bass: Dub bassline fused with distorted sub‑metal drone — rolling, saturated, wobble drops
Percussions: Hybrid kit — blast snare, double kick, rimshots, dub FX, metallic hits
Textures: Dub delay, spring reverb, industrial noise sweeps, vocal chops, ambient drones
4:27

Female vocals ONLY, GIRL BAND, 90s dance girl band, classic 90s all girl dance pop techno trance house club rave girl band, candy pop, sensual synchronized syncopated harmonious females vocals
3:48

[Genre: UK Bassline, Grime Rave Mutation, Fungal Breakbeat]
[BPM: 142]
[Atmosphere: Rowdy, Illicit, Sweaty, Tongue-in-cheek menace]
[Instruments: Punchy garage kick/snare, feral wobble subs, grimy midrange stabs, metallic hi-hat skitters, distorted rave sirens, fungal Reese drones, cheeky vocal chops]
[Energy: Snarky shoulder-shrug → involuntary head-nod → bodily takeover → rave-as-possession]
[FX: Spore-sizzle distortion, sub-pressure rattle, wet slap delays, cheeky risers, reverse inhales, bassline gnaw FX]
[Vocals: Smug, deadpan British delivery → escalating shout-chants → crowd-mob infection]
[Structure: Intro | Verse 1 | Pre-Drop | Drop | Verse 2 | Pre-Break | Buildup | Final Drop | Breakdown | Outro]
[Mix/Master: Dirty-club gloss, Punchy_low-end, Wide_dynamic_range, Vocal_present]
2:49

French lust Pop, Synth-wave, 120 BPM, 432Hz tuning, Features shimmering FM synth pads, a driving Moog-style sub-bass, and crisp 808 percussion, Vocal style is sensual, airy, breathy, lusty desperation and French feminine with heavy pre-delay reverb and subtle pitch-correction artifacts, Sexual Moaning ad-libs, Production includes granular synthesis transitions, cinematic and high-frequency spectral air, Arrangement follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus structure, Mastering is loud and punchy with a wide stereo image and -14 LUFS target
3:28

4:34

The Body Hates Itself
v4.5-all
opium, pop-dance, accent from Sheffield England, Alternative Rock, Electronic, Post-Hardcore, Alternative Metal, Pop Rock, melodic, male vocalist, atmospheric, energetic, introspective, passionate, bittersweet, eclectic, anxious, depressive, anthemic, dense, heavy, melancholic, rhythmic, serious, dark, nocturnal, existential, angry, futuristic, lonely, pessimistic, bouncy, vulgar, lush, sentimental, Alternative Metal, Emo-Pop, Metalcore, Electronicore, Post-Hardcore, Hyperpop, Mall Screamo, futuristic, anthemic, male vocalist, energetic, heavy, passionate, eclectic, self-hatred, introspective, dense, melodic, suicide, anxious, angry, aggressive, quirky, drugs, dark, alienation, rhythmic, concept album, pessimistic, depressive, existential, anti-religious, apocalyptic, playful, maximalist, dystopian, mental health, cyberpunk, harsh vocals
3:46

thru the nite
v4.5+
80% EDM, 20% jazz, fast-paced 140bpm, big loud high-key intro, An aggressive edgy EDM track with jazzy undertones, lowkey male rap verses that are almost whispered and huge female chorus vocals that are catchy and singalong-ready, battle music, edm, jazz edm, nu jazz, jazz fusion, electronic, lowkey verses, male rap vocals, female vocals, anthemic chorus, singalong, catchy hook, contrast, big vocals, stylish, cinematic
4:54

Opening with a driving frame drum and rhythmic harp ostinato, the Celtic battle anthem surges as uilleann pipes carry a bold melody over layered fiddles, Low whistles and bodhrán add depth in the chorus, while group vocals join in, forging a rousing, epic atmosphere
3:40

Emotive pop-rock: dynamic e-guitar riffs, driving drums, deep basslines, layered synths/piano for tension, Raw, soulful male vocals capture regret and passion in a fast-paced, heartfelt track
















