天 ROCK FEST 2026

Instrumental live intro track, about 45 seconds, Playful lo-fi electro-dance texture with toy-like synths and minimal groove, Dry kick, snappy hi-hats, quirky bleeps, distorted bass, Minor key, cool and playful under blue lighting, 0–28s: very quiet build, distant crowd noise, hypnotic minimal pulse, 28–30s: tension hold, almost nothing happens, 30–32s: complete silence, total blackout, 32–45s: sudden FULL IMPACT — stage lights blast on, massive bass drop, drums hit hard, wide synth and guitar impact, instant high energy, No vocals, no jazz, not smooth, Clear contrast, obvious drop, dramatic live entrance

Dark, emotional Japanese melodic punk with a nostalgic minor-key Showa aura and dirty garage-rock swagger, Raw three-piece feel: gritty overdriven guitars with light tremolo wobble, loose garage strums, sharp stabs, and crying bends, Loud dirty bass with rough melodic runs; rushed drums with trashy open-hats and messy fills, Melodies are tearful, rising, and classically Showa-sentimental, but delivered with streetwise grit, Mix feels like an early-2000s underground demo: warm, midrangy, slightly distorted, smoky small-venue vibe, Lead vocal: female, low husky-whisper alto, yasa-gure, sarcastic, playful, half-drunk-soft tone with loose phrasing and teasing ad-libs, Add subtle “garururuu” growly humming textures in intros or transitions, Include light glitch spices: tape-flutter, broken-tape stutters, digital crackle, and brief lo-fi noise bursts in quiet sections, Chorus should burst with bittersweet crying-melody energy and dark garage-rock swagger

Fast-tempo garage / alternative rock with post-punk energy, Sharp, angular guitar riffs and tight, driving drums, with sudden stops, stabs, and jittery rhythmic accents, Aggressive but minimal arrangement, danceable, tense, slightly unhinged beneath a controlled surface, Female husky vocals, cool and detached, spoken-word delivery mixed with abrupt shouts and clipped yells, Shouts are sharp, ironic, almost mocking — not emotional screaming, used as rhythmic hits rather than catharsis, Vocals feel observational, confrontational, and sly, sometimes thrown away, sometimes cutting in suddenly, Call-and-response between deadpan lines and sudden exclamations, Raw but clean sound, dry and close, no heavy distortion, no heroic tone, Nervous energy, twitchy, eccentric, and alive

Breakbeats blended with a live band sound, Tight, dry drum kit mixed with electronic breakbeats, mid-tempo, Melancholic UK-style indie rock atmosphere, restrained and cool, not flashy, Clean but slightly gritty electric guitars, simple repeating riffs, subtle distortion, Deep, round bass supporting the groove, Female husky whisper vocal, breathy and intimate, almost murmured, Vocals feel emotional but controlled, no big belting, Chorus hits with chant-style energy: “Growl, WOW WOW WOW, ” Dark, earthy, raw texture, sweaty rehearsal room vibe, Cinematic but minimal, tension over brightness

Fast-tempo garage / alternative rock with post-punk energy, Sharp, angular guitar riffs and tight, driving drums, Minimal, aggressive but clean arrangement, very rhythmic and danceable, Subtle chiptune or simple synth pulses moving constantly underneath, Daytime driving feeling, bright light, dry air, forward motion without urgency, Female husky vocals, cool and detached, emotionally restrained, Vocals are calm and observational, slightly ironic, never dramatic, No screaming, no heroism, Raw but clean sound, sharp, light, and alive

Alternative rock / grunge band song, fast (110–120 BPM), Strong quiet–loud contrast, Verses numb and restrained, Choruses loud and distorted but with no catharsis, Heat comes from the band, not emotional expression, Dirty, dry, grainy sound, Subtle lo-fi synth haze, slightly detuned textures, Soft, detached female vocal, Flat, breathy, almost indifferent even when loud, Not emotional singing, Subtle UK post-punk feel, Dry, boxy drums slightly behind the beat, Flat, repetitive bass forward, Mood: quietly unstable, No hope, no resolution

Instrumental live intro track, about 45 seconds, Playful lo-fi electro-dance feel with messy, toy-like synth textures, Minimal dry kick, snappy hi-hats, repetitive hypnotic groove, Quirky analog bleeps, plastic percussion, softly distorted bass, Band elements stay restrained, used as texture not melody, Minor key, bouncy but cool under blue / light-blue lighting, 0–25s: very quiet start, distant crowd ambience, lo-fi pulse slowly builds, 25–30s: small to mid rise, groove becomes addictive and playful, 30–32s: complete silence drop, 32–45s: sudden clean explosion, heavy bass hit, drums slam, wide impact, No vocals, no jazz, no piano melody, Cute, mischievous, kitsch, raw and unpolished, Designed for live entrance with child narration

Ultra-short rock festival sound logo, 3–4 seconds, Aggressive female punk shout “WOO!” at the start, Raw distorted electric guitar stabs immediately after, At the very end, calm spoken voice saying “Ten Rock Fes, twenty twenty-six” in Japanese, Spoken, casual, effortless, not shouted, Hard gal-punk attitude, dirty edge, rebellious, No intro, no drums, no melody development, Instant start, hard stop, Designed as a festival logo sting

Extend the original festival sound logo to ~15 seconds, adding new material only BEFORE the original logo section, Start with fast, detailed snare-driven and tight hi-hat driven rhythm creating strong restless forward motion, Minimal instrumentation at first, Female vocal enters immediately: moody, slightly irritated, whispered and half-spoken melodic delivery, UK-style restrained emotional tone, Gradually introduce additional instruments and distorted emotional guitar layers, Create a short break where new layers and chaotic textures surge in, rapidly escalating intensity, Reach explosive peak energy leading directly into the original chant entry, Transition immediately into the original logo, Preserve the original chant EXACTLY as the signature ending, Do not alter tone, rhythm, call pattern, timing, drum hits, guitar accents, or festival atmosphere