3:33

他の神々の礼拝に対する警告 申命記 13 2-5
v4.5-all
aggressive, new jack swing, low voice, boy vocalist 90's, funk, rap, boy singer, falsetto, percussion, gritty vocals, beat, bass, angry, emotive, percussion, gritty vocals, beat, bass, angry
3:54

「相手をわきまえよ」 シラ書12 1-18
v4.5-all
Brooding strings and expansive synth pads set an eerie atmosphere, joined by deep 808 bass and crisp hi-hats, Menacing piano motifs interweave with distorted samples, The chorus intensifies with heavy sub-bass and sparse, hard-hitting drums, closing with a dramatic synth fade
4:09

「真理はあなたたちを自由にする」ヨハネによる福音書8・31~47
v4.5-all
Gangsta Punishment Stoic HIP-Hop Gangsta Rap Bay-Area R&B Beats Street Justice Hip-Hop ‑ROCK, ‑POP, ‑METAL, ‑SOFT VOICES, ‑SLOW VOCALS
2:59

3:25

「知恵の特質」 知恵の書 7-22-30
v4.5-all
lots of vocal processing, Japanese KAWAII vocals, driving 16/16 beat, gated delay snare + hi-hat, eurobeat, hyper-cinematic synth leads, dance, driving mega bass synth arpeggios
5:47

「祈るときには」マタイによる福音書6-5-14
v4.5-all
Dark, Fast to slow, Industrial, bangrah, synthwave elements, spinning, don't scream, sing quietly
5:50

「Like Christ」フィリピの信徒への手紙2-1-11
v4.5-all
Japanese boys vocals, Quirky noises, infectious bassline, electronic beat, Deep vibes, afrobeats, intense, high-energy
7:12

「Like Christ」フィリピの信徒への手紙2-1-11
v4.5-all
Japanese boys vocals, Quirky noises, infectious bassline, electronic beat, Deep vibes, afrobeats, intense, high-energy, boys group, Edgy, Y2K 2000s
6:47

「イエスとニコデモ」 ヨハネによる福音書 3-1-21
v4.5-all
Acid jazz industrial experimental cold wave robotic funk Japanese female anime DJ voice, Don't male voice, Don't shout
6:18

「聖なる生活をしよう」ペトロへの手紙1-1-13-25
v4.5-all
fast aggressive rap, Japanese boy male vocal, rap rock, nu-metal hiphop, alternative flamenco guitar solo, Distorted mega bass, Robotic Modulation, sampler, Japanese boy male group five member, Don't female voice, Don't spoken
5:55

「おとめの歌」雅歌 2章 旧約聖書
v4.5-all
Art Funk, Groovy, Soul, Indie, Alternative, slap technique bass, vocal clarity, equalizer attuned to vocal clarity, studio recording, Vocalist nationality: Argentine
Mood and rhythm: Dreamy, introspective, slightly psychedelic; smooth groove with atmospheric touches
About vocalist: male Argentine vocalist with a soft, poetic tone, subtle vibrato, and expressive phrasing
Register: Mid–high range with delicate falsetto accents, Don't shout, Don't female voice, Don't spoken
6:37

「ペトロの説教」使徒言行録 2-14-36
v4.5-all
Gregorian, hymn, reverb-heavy vocals, atmospheric, soundscape, ambient, choral vocals, Gregorian chant, unplugged, ethereal, Don't female voice, Don't shout, Don't spoken
4:53

「未婚の人たちと やもめ」コリントの信徒への手紙7-25-40
v4.5-all
80s, electro-pop, industrial, futuristic Krautrock, edm, vocaloid, robotic, rhythmic
4:25

「ボロボロのスポットライト」 メンズアイドル
v4.5-all
Exploding with new jack swing energy, the track launches with blistering, hyper-syncopated drum machine patterns—every snare and clap fiercely up front, An exaggerated, punchy analog bassline warps under the groove, Gritty, anguished vocals cut through, raw over dense, metallic textures
5:32

「黙示録の光」ヨハネの黙示録 17章
v4.5-all
Fast aggressive, hybrid Phonk industrial hardcore, 1987, fast paced, Phonk synth, goth phonk, experimental progression, avant-garde, ‑no piano, ‑no jazz, ‑no chill, ‑slow, ‑lo-fi
5:46

「黙示録の光」ヨハネの黙示録 17章
v4.5-all
slow aggressive, hybrid Phonk industrial hardcore, 1987, fast paced, Phonk synth, goth phonk, experimental progression, avant-garde, ‑no piano, ‑no jazz, ‑no chill, ‑slow, ‑lo-fi, -no shout
4:09

「黙示録の光」ヨハネの黙示録 17章 (Cover)
v4.5-all
Exploding with new jack swing energy, the track launches with blistering, hyper-syncopated drum machine patterns—every snare and clap fiercely up front, An exaggerated, punchy analog bassline warps under the groove, Gritty, anguished vocals cut through, raw over dense, metallic textures
5:46

[Genre: Hi-NRG, Progressive EDM, Dance Pop, Novelty]
[Mood: Spooky fun, party energy]
[Tempo: fast]
[Style: Spooky-dark, Modern club vibe with Retro 2000s layer]
[Instruments: funk bass, rhythm guitar, synths, brass hits, distorted guitar]
[Vocalist: male]
[Vocals: Japanese boy gospel coral energetic]
4:57

天にいて耳を傾けてください(1列王記 8:37-43)
v4.5-all
The rhythm of the drums and bass is broken intermittently by sampling in techno, the breakdance of the 1960s by a group of five Japanese boys is set to the siren of American Patrol, elements of rave dance are also included, and the vocoder voice of included
3:07

「愛」コリント信徒への手紙 13章
v4.5-all
fast rap, sorrow, sadcore, clear ethreal grandiose male pop singer, [sad], depress, dream pop, alternative, melodic, melodic, [Rock], melodic, vocal chops, glitchcore background, ethreal, witchhous, witchhous, witchhous, witchhous, witchhous, witchhous
3:14

5:52

「若者の説明」 エズラ記(ギリシア語) 4-13-41
v4.5-all
A Compton vibe bass driven rap song with electronic synth chords, bouncy bass and punchy bass kicks, subtle funky high pitched guitar, super catchy beats, crystal clear production, crisp clean vocals, super unique sounds with a cruising beat, plenty of big bass kicks
Vocals are hard, raspy, rapped from a true street gangster with plenty of confidence and a violent demeanor
4:10

「狭い門」マタイによる福音書7-13-14
v4.5-all
ボーイズグルーブ, 12歳のボーカル, アイドル, エレクトリック, インダストリアルでテクノな楽曲, コーラスは聖歌隊による合唱ハミング, 拍数: 120
3:47

「狭い門」男女ver マタイによる福音書7-13-14
v4.5-all
ゆっくりとしたメロディー, リズミカルなラップ, ヴィンテージソウル, エモラップ, 若い男性ボーカル, 74 bpm, psychedelic hip hop
6:44

「Faith on the Move」ヤコブの手紙2章
v4.5-all
Industrial-tinged hyperpop banger, distorted bass and metallic percussion under a sharp, swaggering topline, Hook explodes with stacked, slightly detuned harmonies and glitchy vocal chops; verses ride a sparse, clipped groove that lets the vocal spit attitude, Sudden filter sweeps and bitcrush drops for tension, then slam back with aggressive sidechain and big, synthetic drums, vocal male, 温かい男性ボーカル
7:46

「生ける神の神殿」コリントの信徒への手紙2 6-14-18
v4.5-all
dance, Hybrid EDM meets acid jazz: rubbery synth bass and crisp rhythm box patterns under lush extended chords, Verses ride a tight four-on-the-floor with clipped, androgynous male vocals and subtle vocoder doubles; pre-chorus leans into formant-shifted harmonies, Chorus blooms with full hymn-like choir backing, baritone call-and-response, and bright jazz keys, Arrangement builds in waves, with a mid-song breakdown that spotlights vocoder and choir before a final stacked-voice climax, acid jazz, electric
7:47

「生ける神の神殿」コリントの信徒への手紙2 6-14-18
v4.5-all
acid techno, Hybrid EDM meets acid big band: rubbery synth bass and crisp rhythm box patterns under lush extended chords, Verses ride a tight four-on-the-floor with clipped, androgynous male vocals and subtle vocoder doubles; pre-chorus leans into formant-shifted harmonies, Chorus blooms with full hymn-like choir backing, baritone call-and-response, and bright jazz keys, Arrangement builds in waves, with a mid-song breakdown that spotlights vocoder and choir before a final stacked-voice climax, acid industrial, electric, techno
2:13

Traditional hymn-chant blend with boys' choir over a grand pipe organ, Start in soft unison, then bloom into 3-part harmony on the chorus, Steady, reverent tempo; organ pedals hold warm low drones while upper pipes move in slow, luminous chords, Dynamics rise on each refrain, with a final a cappella line before a resolving organ cadence
2:09

「主よ わが喜び」 コラール
v4.5-all
Traditional hymn-chant blend with boys' choir over a grand pipe organ, Start in soft unison, then bloom into 3-part harmony on the chorus, Steady, reverent tempo; organ pedals hold warm low drones while upper pipes move in slow, luminous chords, Dynamics rise on each refrain, with a final a cappella line before a resolving organ cadence
5:25

「BETTER THAN」 コヘレトの言葉7章
v4.5-all
Bright 80s-inspired pop with crisp drums, slap bass, and glassy synth stabs, Verses bounce with tight, syncopated guitar and close, sassy male vocals; chorus hits wider with stacked harmonies, big tom fills, and a hooky call-and-response, Middle section adds a key change lift and pounding floor toms before a final, shout-along chorus, strut
4:42

「BETTER THAN」 コヘレトの言葉7章
v4.5-all
Bright 80s-inspired pop with crisp drums, slap bass, and glassy synth stabs, Verses bounce with tight, syncopated guitar and close, sassy male vocals; chorus hits wider with stacked harmonies, big tom fills, and a hooky call-and-response, Middle section adds a key change lift and pounding floor toms before a final, shout-along chorus, strut
6:22

「歩む道は正義の道」箴言11章 Gospel
v4.5-all
Bright Minneapolis funk-pop groove, live band feel—snappy drums, rubbery bass, and chiming rhythm guitar, Male vocals dripping swagger and humor; gang shouts on key punchlines, Choruses explode with stacked call-and-response hooks and playful ad-libs, bridge breaks down to just claps, cowbell, and bass before full-band hit, jungle
6:18

「歩む道は正義の道」箴言11章 Gospel 2
v4.5-all
Bright Minneapolis funk-pop groove, live band feel—snappy drums, rubbery bass, and chiming rhythm guitar, Male vocals dripping swagger and humor; gang shouts on key punchlines, Choruses explode with stacked call-and-response hooks and playful ad-libs, bridge breaks down to just claps, cowbell, and bass before full-band hit, jungle
5:05

「二つの姉妹オホラとオホリバ」 エゼキエル書23章
v4.5-all
Gritty boom-bap with warped organ stabs, swung drums, and a rubbery bassline, Male vocals delivered in a half-snarled, half-playful cadence, stacked ad‑libs on punchlines, Hook explodes with gang-style chants and crowd response shouts; verses stay tight and percussive, Light vinyl hiss and filtered intro for a throwback vibe
4:16

「共に喜ぶ」Rap(フィリピ2:12–18)
v4.5-all
74 bpm, slow tempo, Hard-hitting 90s boom-bap throwback, chopped jazz horns and dusty drums, Male vocals in a rapid-fire, tongue-twisting flow, stacked doubles on key punchlines, Hook is a rowdy call-and-response chant with crowd shouts tucked low in the mix, Verses ride a swung pocket, bass warm and round; brief DJ-style scratch drops between sections to hype transitions
5:07

「共に喜ぶ」Rap(フィリピ2:12–18)
v4.5-all
74 bpm, slow tempo, Hard-hitting 90s boom-bap throwback, chopped jazz horns and dusty drums, Male vocals in a rapid-fire, tongue-twisting flow, stacked doubles on key punchlines, Hook is a rowdy call-and-response chant with crowd shouts tucked low in the mix, Verses ride a swung pocket, bass warm and round; brief DJ-style scratch drops between sections to hype transitions
6:48

「自分ではなく隣人を喜ばせる」 ローマ信徒への手紙15章
v4.5-all
Classic 90s dancehall bounce with bright digital stabs, rubbery bass, and roomy spring reverb, Male vocals in a playful patois-inspired delivery, call-and-response ad-libs, and big gang shouts on the hook, Verses stay minimal and percussive; chorus explodes with stacked chants and crowd energy, DJ-style drops between sections
4:43

「キリストに結ばれて Walk」 コロサイ2章6–19節
v4.5-all
Rugged dancehall riddim with a rubbery bassline and sharp ska guitars; drums swing hard with snappy snares and busy hi-hat work, Male vocals ride the groove with playful aggression, call-and-response shouts, and stop-time breaks that punch the hook, FX swells and sirens pepper the spaces, with quick drop-outs to let the crowd screams and ad-libs hit
5:01

金持ちと貧乏人の現実的関係 シラ書13章-14章
v4.5-all
Funky 70s party groove with tight rhythm guitar, walking bass, and bright horn stabs, Japanese young Male vocals with playful call-and-response backgrounds, Drums locked in with syncopated hi-hats; chorus hits harder with stacked gang vocals and handclaps, Brief breakdown for crowd participation before final hoo
5:50

「守られてる 警告と励まし(ユダの手紙 17–25)」
v4.5-all
Dark club-ready track, Japanese young male vocals, Minimal, rubbery bass and tight kick in the verses; eerie bell plucks and whispered doubles for tension, Chorus explodes with distorted synth stabs, layered gang shouts, and thumping floor toms made for choreography hits, Bridge strips to sub-bass, finger snaps, and reverb-drenched vocal ad-libs before a final, high-energy chorus recap
4:59

「義を愛せよ」 Rap Lyrics (知恵の書 1章)
v4.5-all
A bold kpop boys track bursts open with synthetic brass stabs, funky basslines, and punchy percussion, Sassy Japnese young male vocals trade rapid-fire verses with confident group chants, Pre-chorus layers glossy pads and vocal harmonies before a high-energy chorus explodes with crisp drums, siren synth effects, and fierce group ad-libs, Bridge drops to a playful rap with quirky fx, leading to a final chorus stacked with vocal power and dynamic dance breaks, upbeat, electrodark, darkpop, witchyvibes, nightwitch, spookyglam, hauntedbeat, neonspell, vampiricgroove, electricritual, shadowdance, glitchglam, darkglitter, midnightmasquerade, moonlightmadness, rapverse, darkrap, rhythmicflow, seductiverap, witchflow, electrorap, edmrap, fastflow, spokenhook, Mega bass, grunge, indie, piano, bounce drop, dreamy, cinematic
5:14

dance, Slick K-pop performance track, mid-tempo groove, Early-90s party rap parody with rubbery synth bass, and percussive synth stabs, swung drums, and hyped male vocals; verses packed with playful punchlines and exaggerated character, hook built on big crowd chants and call-and-response ad-libs, DJ cuts sprinkling between lines, energy rising into a goofy, shout-along final chorus
3:15

「Rock, Neon Sky(申命記32)」
v4.5-all
High-octane J-rap bounce with swaggering drums and rubbery bass, sharp synth stabs and crowd chants; verses ride a tight, percussive pocket, chorus widens with gang vocals and octave doubles, male vocals spitting clipped, rhythmic lines over glitchy FX swells and siren risers
2:52

主に感謝せよ! 詩編107
v4.5-all
hardcorepunk, BPM 210〜230, Key E, churning reguler or drop d, use code E5 - G5 - A5 - B5, glich, sampling, flow fast, J-rap bounce
4:49

「大きな利得(Great Gain)」 Ⅰテモテ6章3–10節
v4.5-all
Club-ready hip-hop banger with thick sub-bass and snappy drums; male vocals sitting upfront, call-and-response ad-libs tucked wide, Verses ride a confident, playful bounce, then the hook explodes with chanty crowd energy and stacked shouts, Short breakdown before final chorus with filtered beat and rising FX, then a full-force last drop for maximum twerk-floor chaos
6:32

Club-ready k-pop J-pop banger with swung drums and deep bass, Japanese young cute 12 years old male vocals, A cute and gentle voice that sounds like a boyish girl, up-front and conversational, Verses tight and rhythmic over sparse keys, pre-chorus adds airy pads and melodic ad-libs, Hook explodes with stacked harmonies and a brighter chord lift, then drops back into minimal, head-nod bounce for the outro
5:23

「VANITY FLOW」 聖書(コヘレトの言葉7章)
v4.5-all
Dusty West Coast bounce with headnod swing; rubbery bassline, crunchy drums, and chopped horn stabs, Male vocals locked in a playful, percussive flow; hook stacks gang-call shouts with crowd responses, Verses stay tight and punchline-heavy, beat briefly drops for key lines then slams back with extra ad-libs and swagger
4:42

「BROTHER ANYMORE」(フィレモンへの手紙1章)
v4.5-all
West Coast cypher kpop energy, A Japanese androgynous boy with a gentle, girlish voice male vocals, Dusty G-funk bounce with rubbery bass, crisp claps, and a talkbox hook texture doubled by stacked gang vocals, Each verse rides a head-nod swing, subtle synth leads weaving between lines, Hook opens wider with call-and-response ad-libs and crowd noise tucked low in the mix; light vinyl crackle and room reverb keep it raw
7:32

Moody J-pop boy group track; tight syncopated drums and percussive bass, glassy synth plucks in the verses, then a wide, anthemic hook with stacked male vocals and airy pads, First verse keeps it minimal and close-mic’d; chorus explodes with call-and-response ad-libs, then a short middle-eight pulls everything down to a filtered beat before the final, shout-along hook
4:02

思い悩むな(ルカによる福音書 12:22–34)
v4.5-all
Golden-age West Coast boom-bap: swung drum groove, rubbery bassline, and sharp horn stabs, Male vocals with a conversational, commanding flow; hook stacks gang-style group shouts on the title phrase, Verses stay mostly dry and upfront, with quick slapback delay on the last word of key bars, Short DJ-style scratch breaks between sections for attitude, ending on a hard, sudden drop

